Author Appleton

Writing. Fantasy. Sci-fi. Mystery

productivity

Your greatest asset in writing a novel

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I can’t tell you how many times I encounter people who, after hearing that I am an author, tell me that they had a book idea and someday they will write it. You want to know the truth? Most of those people will never write a book. Most will start at some point, then they with either lose interest or prioritize other tasks. They discover that writing an entire book is not so easy as they thought. Yep, it takes blood, sweat, and tears. The majority of people lack the key asset needed to finish a novel: perseverance.

To set out and write a novel means you are committing to writing 50,000 to 80,000 or 100,000-plus-words. Not a small task!

Perseverance will be your greatest virtue.

During the writing of my novels I have encountered so many obstacles that could have stopped me from completing the task. But writing is a love and a passion. It is an unquenchable desire that grows and must be exercised in order for the soul to find a measure of contentment. Distractions of family, friends, work, home, and entertainment can all stop you from completing your novel. But if you persevere through the distractions you can learn to use them to advantage.

The distractions are a tool for you to use. Family and friends provide inspiration. Just listen to the people around you. Watch their behaviors, their interactions. Listen to the way they speak. Try to understand their motivations and their convictions. Then process that information into inspiration for what you are writing. Inspiration for your characters and their world. Persevere through the distractions to find the inspiration. Persevere to finish the work you started.

In our world of instant gratification the greatest liability we face is our own distraction. We need to center our minds, hone our focus. Discipline is our ally and perseverance is our greatest asset. Without perseverance nothing noble can be accomplished. With perseverance anything is possible. Writing a novel is hard work, yet the reward of having completed it and then sharing it with others is vastly satisfying.

Q: What is the greatest hindrance you face in completing a novel?

How nameless characters enhance story

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Nameless characters. They may seem useless to the writer and to the reader but in many respects they are key to enhancing a great fiction story. Consider how many nameless characters populate the books you read and the movies you watch. Nameless characters play well into plot development and world building.

When I am writing a story I take into consideration the environment I am throwing my main characters into. What are the sights, the sounds, the smells. I want to engage the senses so that the reader experiences the story in a profound way. But a great part of creating the environment is the establishment of nameless characters.

Let’s use the example of John, a character who is feeling lost. If you want to convey that John is starting to feel panicky you could throw in a nameless character. Crowds are milling about, heading down the busy sidewalks. Someone bumps into John. He reaches down and finds his wallet is now missing. He franticly searches the sea of faces for the pickpocket but instead his gaze is arrested by a pretty face. She stands a short distance off, smiles, then disappears in the throng moving around him. Someone steps on his foot, mutters an apology, and several other people jostle him. A pistol presses against his back.

In this short example the only characters able to affect John are nameless ones. The advantage of this is that the reader now does not feel the need to know these other characters. Instead they want to know how John is going to react to these nameless characters and the situation in general. The nameless characters have revealed a deeper level to the story and left the mind imagining what could be the motives and purposes of these nameless characters. All the while, John remains the focus.

Nameless characters add mystery and, when written well, they will enhance the traits of the main characters by causing them to react to different circumstances. While it is true that you can effect much of the same with named characters, nameless characters provide less distraction to the reader, thus allowing more focus on moments of suspense and interior dilemma.

A story is incomplete without nameless characters. In my novels I greatly enjoy creating background characters who are not assigned names. Why? Because later I can return to those characters, perhaps fleshing out their own unique stories for later projects. For example, when writing a series of fantasy novels a nameless character might be the bartender or the stable hand. Later in the series I can revisit the character, assign them a name, give them a more significant part in the series’ plot, and reference back to that moment in the story when they were nameless. To the reader it seems as if the author knew all of these facts about the nameless character all along. But truly it is often not the case.

The author might make reference to how the story’s hero/heroine glimpsed something happening to a common soldier during a battle. Then at a later point you reference back to that and make a new and insignificant background character come to life by relationally tying them to the original nameless character. Their deed then matters to the reader on an emotional level.

As you see, there are many uses for nameless characters in fiction.

Q: What sorts of nameless characters to you find interesting in fiction?

 

 

How you can fail as a writer

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It’s a straightforward dilemma. If you dream of writing the kind of stories you love then one day you hope to share those stories with the world. You will focus on the things that matter, like good grammar and stronger sentence structure. You will face the demons of self-doubt, and you believe you will emerge victorious because you have prepared for this battle. But equally important for you to understand is how not to succeed as a writer.

If you want to succeed at something you must also recognize what things you need to avoid in order to succeed. We learn best by example, so let me tell you about Tommy Hopeful, a (fictional) writer who followed the path to writing failure.

Tommy was born to be a writer! He told stories to his siblings out of the crib. He read extensively, studied hard, and hoped one day to emulate his favorite authors. Yes, Tommy always wanted to be a writer. He jotted down story ideas that interested and excited him. His notebooks burst at the seams and he found he had to buy boxes of rubber bands to secure the well-used notebooks. Ah! Tommy had a veritable library of ideas, some partially constructed on paper, others fully written out.

At last, Tommy submitted his work to a literary agent. This was the moment he had waited for, he felt sure. Now a professional would see and believe in him. He didn’t dream of big money, lavish vacations, or any such frivolity. Tommy dreamed of seeing his book on Grandma’s shelf. It didn’t have to be fancy. It was his. He waited for ten months before the letter came, and with eager anticipation he cut open the envelope to read the letter within. Surely it would be handwritten, or personally notated.

Tommy’s first rejection letter was as generic as they come. He felt disappointed, yet not disillusioned. Well, that is, not until three years later when he added another generic rejection letter to the pile. He stopped writing as the discouragement settled in. He was a young man now and everyone around who cared about him told him it was time for him to put his energies into something that would pay his bills. It was time for him to stop disillusioning himself. The world awaited.

Tommy turned his passion into his hobby. He shared his stories with a handful of polite friends, he settled into that steady job, bought a house and began raising a family. Before he knew it the years had gone by, leaving him with gray hair. His children had moved on, much of his family had deceased. Tommy looked around him and realized that he had left nothing of import to the world, that is with the exception of his children. But he realized that the rest of the world would never know him. They would not remember his existence, except for the gravestone. But what epitaph would there be on his stone? What had he done so that a few hundred years from now he was still blessing the world.

Tommy let the demon of discouragement destroy his immortality. If he had wanted, he could have taken the bull by the horns. He could have picked himself up out of the dirt. Instead he allowed discouragement to govern his responses to the world around him.

Acknowledge discouragement but do not let it govern your choices.

Q: How do you react to discouragement?

Balancing fatherhood and writing

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It is not always easy for me to admit the areas of the writing life that I find difficult. But one such area is a direct result of being the father of four wonderful yet energetic kids. These little ones are precious to me and they are a heavy responsibility. God has entrusted them to my care, leaving me without excuse to be with them through the good times and the bad. But though juggling fatherhood and writing is not easy, its blessings outweigh its challenges.

My dad worked two to three jobs throughout my growing up years. He worked hard and even though I could tell that he was often worn out, he still kept his arms open and the spirit of a child in his heart. He loved his children (he still does). Nothing seemed to be more important to him than our dreams, our education and our Christian upbringing. In the midst of all his work I always saw that struggle between his love for his family and his hearty work ethic.

Today, I attribute much of my balance of family and work to my father’s legacy. There is no greater gift that a father can give than to set an example for his children to follow of a hard-working attitude.

Before I was married I filled my “free” time with writing. Soon my wife and I had our first child. He has been a great blessing, but I must admit that being a writer in conjunction with children, especially when they are restless or sick, limits my creative time a lot more than I realized it would. One of my youngest has been restless the last few nights, so my routine has been practically non-existent. I work my day job, get home some time in the evening, then tuck the kids in bed after watching an old show with them. Normally I like to work on writing after everyone is in bed, but sick kids and restless kids change that.

Remarkably I think I am getting better at juggling the two. After all, the challenge is making the time and continually reminding yourself that you are doing this to provide for your family.

So for now I accept this stage of life as a means of maturing as a man, learning more about humanity, developing greater patience, and in all of these things I find that I continue to improve as a writer. The key is to write in the moments, being willing to sacrifice sleep where needed in order to get the writing done. And that is certainly the greatest challenge: getting the writing done. It is easy to put it off instead of sitting down and pouring out the writer’s soul.

Through this more challenging period of life we writers can grow into better storytellers. The children only add to our growth and our imagination. I find that my children are growing quickly their imaginations. And their creativity is feeding me with fresh writing material every day.

Q: Do you know writers who are young parents, or are you one yourself?

A new writer’s biggest mistake

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First-time writers are fun. They are full of energy because they are crazy enthusiastic about the stories they are creating. I have found this particularly true of those who write fantasy. It is interesting what holds many of these writers back, and it is a problem they can overcome.

Some people think that the biggest problem with new writers is that they don’t edit their writing well, or that they don’t spend the time revising and changing things in the manuscript to craft a stronger story. But both of these things are symptoms of the bigger problem and the most common issue with writers who aspire to be published authors.

There are so many times that I have been approached by aspiring authors. They have many questions related to publishing, selling their work, and editing. I have been told that I am an approachable person and I do try to be. When someone has questions and enthusiasm for writing I want to help them. Writing and publishing are long, challenging processes filled with mystery to the outside observer. When possible I like to pull back the veil, revealing the ins and outs of the process so that others can more speedily learn what I struggled with.

Often, but not always, I run into an issue when this happens. The writer will ask for my advice and I will give it. But they are quick to dismiss what they don’t want to hear and zero in on what they want to hear. They have trouble accepting professional criticism.

A writer’s first work is going to lay the groundwork for their career. If you have taken professional criticism and polished your work it will make a good first impression on readers. But if you have not then you will lose readers’ trust, your work will barely sell, and your future writing career will prove even more difficult to build.

Professional criticism is the single biggest boon to an aspiring writer. If a writer is unwilling to humble themselves to accept criticism they will not grow, they will not improve their craft, and they will have little to no respect among their writing peers. Certainly they will hold no respect with publishing industry professionals.

I liken these writers to a vacationer making a mountain trek through the snow. Instead of following the footprints of their guide they choose to strike out on their own, seeking a better path.

It is foolish to neglect criticism and to listen only to what we want to hear. We only grow and improve when we are uncomfortable. It forces us to change things, it forces us to conform to a better way.

Certainly there is the challenge of retaining our own unique creativity, but ultimately writers are born not made and if we seek counsel from mentors accomplished in what we are endeavoring to do, we can succeed.

Find a guide who has gone before you and listen humble to their advice. If you want to be like them someday and succeed as they have you will need to listen to their advice.

Q: Do you look for mentors to help you grow in your life?

How past success motivates current endeavors

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It’s amazing looking back over the past six years. So much has changed. I am a goal-oriented person and I am pleased to see that most of my goals have been reached. With the release of The Phantom’s Blade this past week I now have five published fantasy novels. It is important to reflect on what we’ve accomplished. It sets our mind in a positive way, looking ahead to greater things to come.

I can remember the thrill of holding my first copy of Swords of the Six in my hand. It was a dream come true. And somehow that feeling is duplicated every time I hold a copy of a new release in my hands. Each book represents numerous hours of thoughtful, sometimes painful attention to story and detail. Trying to make each book a work of art is always my goal.

Every time I hold a copy of one of my newly released novels in my hand I feel thrilled and relieved. Finally the hard work has paid off. Finally I can share with readers the story that has been banging around in brain, screaming to be released. Each story is a piece of my soul, as it were. A sharing of my deepest convictions, conflicts, fears, and hopes.

Storytelling is a beautiful thing. The task of writing a new novel is enormous. Each time I begin the journey the end seems insurmountably far off. But when I look back at the works I’ve already published I find encouragement and it helps me persevere until the task is completed.

Q: Do you get a thrill when you craft a story? Or when you read a new book that impacts you?

The interrupted writer

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A writer is an artist and as such when we are writing our creative process is subject to the same rules as any other artist. We can be interrupted, discouraged, and our creativity can be drained. Writing takes patience and time. If you’re a writer who has been interrupted, or if you are someone with a writer in your family… you need to read this.

Many times I have found that people who are close to me have the greatest difficulty in giving me that space to be creative. When I am sitting in front of my computer or a notebook for an hour or two and I have written nothing, I can understand why they approach me. I’m sure from their perspective it looks like I am either bored or being lazy. But the opposite is true.

These times of quiet are necessary to producing a great piece of writing. It is not dissimilar to a painter staring at the blank canvas, staring for hours, contemplating, envisioning what they can create. A writer needs that time just as much as the painter does.

Requests by family members to help with a chore or run an errand may seem insignificant, but they are not. The creativity that was flowing for that last hour, once interrupted, is difficult to recover. Portions of story that I was piecing together, conflicts of emotion that I was envisioning for my characters, all of that is put in jeopardy when I am interrupted.

To the observer the writer is a fragile, unpredictable creature. Once interrupted they might turn in anger, or they might respond sweetly to you. They might even seem to display profound sadness.

These reactions are true of me. When writing I am unpredictable. I am best left alone. The creative process drowns me in a universe of emotions that are unfulfilled and until the creative process has finished I am in the same emotional state that I am dwelling my mind upon.

When you interrupt the writer you do not know if you are speaking to the hero, the heroine, the weak, the strong, or even the villain. The writer is all of these things as they write. They become all things for their story so that their art is perfected.

Q: Are you the interrupted writer or the interrupting family member? How true is this for you?

Backstage pass! the value of interior design

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People do judge a book by its cover. It’s a fact, like it or not. Thus the high priority on a good cover. Hiring a professional artist is a must… But the next impression is just as important and that is the look and feel of the book’s interior. This week I wanted to do something a bit different by highlighting what a good typesetter can do for a novel.

You know the feeling. As a reader you walked into your favorite bookstore and began perusing the shelves for that fresh read. If you are like me the title is the first thing that jumps out at you. You pass over the boring titles (and the ones that scream copycat) and your eyes pause on something that interests you. You pull it off the shelf and immediately resist the urge to let the bile out of your stomach. Yep, the cover is just plain awful. Some author’s niece did it and it screams amateur. Subliminally you are now weighing the possibility in your mind that the author took just as little care and consideration for the content on the pages of that book. You are likely going to flip it open to try the first page (or a random one if you’re one of those kind). But the layout of the book looks as if it were pulled directly off of its MS Word document. The font is all-to-familiar, the chapter headings bland, and the margins are not justified. Your impression? This isn’t worth my time!

You know the other feeling too, of that title that catches your eye. The cover that gives you that Wow factor. Then at last (with one eye closed in case you’re to be disappointed again) you open the book. This time the book’s interior design, layout, and the typesetting are tight. Thus, undeterred you read the first pages with a lot more faith than you did in that amateurish book.

I say all of this to point out that some people are really good at what they do. They have a gift for turning something ordinary into a work of art that will delight the reader’s eye. Sometimes I have made the mistake of looking for the cheap out when it comes to book artwork, design, and typesetting. Yet constantly I see that hiring professionals to produce a great product builds my brand far better than if I cut corners.

For my first book and my two recent novels I used Katherine Lloyd. If you are interested in seeing what a professional does with a book I highly recommend you check out her website: TheDeskOnline Recently Katherine finished typesetting The Phantom’s Blade for me, which will release November 6th 2015. The product looks terrific and gives that touch of artistry that will really make reading this new novel a pleasure.

Q: What books have impressed you with their presentation, and which have turned you away?