Author Appleton

Writing. Fantasy. Sci-fi. Mystery

morals

Pondering: futility of godless stories

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Ponder with me the shallowness of stories that omit any divine purpose. Any intervention or God-given purpose. As writers creating fictional realms we have the opportunity to omit God… or do we?

A story I moderately enjoy centers around a Buddhist monk who is on a quest to find the equivalent of the chosen one. The chosen one must have certain qualities and the monk seeks out a man with those qualities. In his quest he relies heavily on a prophecy that gives him signs he can follow so that he will know for certain he has found the one. There is never a mention of divine intervention. The story as a whole is devoid of God and in this missing element it becomes shallow.

It makes no sense for there to be a prophecy unless there was One to inspire the prophecy. And it is contradictory to choose one man based on moral qualities and yet ignore where those moral qualities come from.

Is it not interesting? While purporting high moral standards, secular stories miss the all-important question, which is, that if there is a moral law then Who gave that law. And if there is no Divine giver of moral law then morals are dictated by mankind. And if mankind dictates morals then he is not responsible to a higher power, and without that responsibility mankind is free to follow their own moral codes. One person may say that a thing is wrong while another will say that it is right. Who is to say which is which? They are both men. They are both fallible. More importantly there is no Judge to hold them to a standard of morality.

You cannot have moral law without a Lawgiver, and the same law loses its power if you deny the existence of the One who established and enforced those laws. In truth there would be no solid consequences to immoral actions because no one could say that the law was any better than the lawbreaker’s moral opinion.

Q: Do you ponder the necessity of God in stories?

 

The bad and good of Portraying Violence in Fiction

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When writing my fantasy novels it is frequent to encounter (you guessed it) violence. Targeting my books to the middle grade and young adult readers this is of great concern to me. I don’t want to wash over the violence but I don’t want to glorify it in the eyes of the reader either.

Consider that violence is sometimes necessary to convey the cost of wrongs done. I think of how the Bible narrative is full of violence. Violence wrought by the good, the evil, and by God himself. Blood spilled, sacrifices of life and limb made. But this violence is not glorified, instead its purpose is shown. Whether the will of God to wipe a degenerate nation from the face of the earth, or allowing the Babylonians to conquer and enslave the Jews.

Too often contemporary fiction glorifies the violence by turning it into entertainment. Entertainment, whether in the form of a book or a movie, can and should display violence as a means to an end. A lesson must always be understood, subtly taught, so that the reader comprehends the relational and eternal consequences of such actions. Unless this is done the reader, and especially young minds, can follow the violence itself as an entertainment and subconsciously accept it as an end of its own.

In properly thought out books the reader will learn to respect certain actions and despise others. They should be able to picture themselves as the knight riding into battle and ramming his lance into the heart of a wicked tyrant. But on the same note they should also picture themselves looking with pity upon that tyrant’s corpse and wishing that another resolution might have been possible. We don’t need to glorify violence, but we don’t need to despise it either. It is admirable to slay the invader, save the fair maiden, and pray to God for mercy on those who have fallen.

It is admirable to wield the sword in battle… yet the greatest admiration should be given to the knight who knows when to show mercy to his enemy. The knight whose heart dreads violence and yet will not shy from vanquishing his foes when need be.

Question: How do you view violence in fiction?