Announcement: The Sword of the Dragon series rebrand!

For over a decade now I have been writing and publishing fantasy novels and what a rewarding thing it is! My first novel was originally self-published, then sold to a traditional publishing company. This change carried with it some positives and some unforeseen negatives. By releasing my rights to AMG Publishers I lost marketing control and, starting a few years ago, that company suffered some setbacks and my first three novels have hung in limbo ever since. The result? My writing career took a big stumble that was beyond my power to fix. But the good news is: all of that turned around this week!

I have often said that I think the biggest mistake I made in my writer career was to sell my first novel to a big publisher. But I was young and flattered by the recognition, and eager to let others shoulder some of the burden of marketing and selling my work. At the time of the sale to AMG my first novel, Swords of the Six, was rocketing to success. My wife and I were full-time on the road and I was selling to bookstores and schools in several states. The momentum was building just as I’d hoped it would. But when I signed the contract I had to stop production on my first novel (until the publisher could re-release it). I had to get off of the road and settle into a regular job while waiting for the book to be published again.

This week I have acquired the rights to my first three novels from AMG and I am so excited for what this means! Total creative control is now back in my hands and I can market and sell the books wherever the opportunity presents itself.

Swords of the Six, Offspring, and Key of Living Fire will be published with new designs and the stories themselves will receive fresh edits! Each sequential book in the series will be published with the new design as well.

Swords of the Six (special edition)

The e-book editions were overpriced through the other publisher. With Flaming Pen Press we will grow the digital reader audience and drop the price to a competitive level. This is a market that I feel my books have largely ignored and in which I see a lot of opportunity.

Print editions will now include both a paperback and a hardcover option. I love a nice hardcover edition! Which I know many of you collectors out there will appreciate.

Audiobooks will come last. I know I have been promising audiobooks for a couple of years now, and tying the new design to e-book, paperback, hardcover, and audiobook will make everything easier to find in search engines and sites.

When AMG published my second novel their buyers objected to the cover art that I had commissioned for it. It was absolutely stunning. A depiction of Oganna kneeling in the cave when she lifts her sword Avenger and her blade boomerang out of the stone floor. Now, at last, I can release the Offspring cover as I wanted you to see it with that artwork! Offspring will also be retitled Dragon Offspring. A subtle but important title change.

Over the next couple of months I will start releasing these new editions, beginning with Swords of the Six. For you, my readers, this means my novels will become unavailable for a little while. During this transition the new editions of The Sword of the Dragon novels will be designed and prepped for publication. Big things are in store! Let’s bring this epic fantasy journey into fresh territory.

Q: Which part of this change interests you the most? 

Ups and downs of the book publishing world

The first introduction I had to the world of Christian book publishing was at the Glorietta Christian Writers Conference in New Mexico. I was an eager unpublished writer with only a small following on my blog. I’d written some short stories and a few of them had been published in online magazines. The largest payment I’d received on my fiction writing was  (around) seven dollars. At that writers’ conference, I now know, I was about to step aboard the publishing roller coaster that alternates between building dreams and crushing them beneath its wheels.

Nothing will hold you through the publishing journey if you don’t have a love for writing in your soul. That must be engrained in your heart. We will fight to preserve something we love… But many people have a mere curiosity, a need for social esteem. They think “How cool would it be if I published a book?” Little do we realize a love of writing has to be in our blood because the emotional rollercoaster is going to shove our writing in the mud, and put our social life on hold.

Fortunately for me I didn’t enter the world of publishing with expectations of making a lot of money or achieving national fame. Reading and writing open the world to me and those around me. I love to write. Therefore I would write if only a few people cared to read my material. Why? Because it is worth the creative struggle to bring the world literature. By God’s blessing my books have now sold over 20,000-copies and I’ve been encouraged by each email and message I’ve received from new readers and avid fans.

The roller coaster has never stopped.

Back in 2007 I was sending new endorsements and swapping edits with the then-editor at AMG Publishers. For about two years it went back and forth, with hope of contract then the light at the end of the tunnel would dim again as someone on the publishing committee dismissed it. Eventually it was rejected.

All during the negotiation process I read and researched extensively on publishing and business. It led to my founding Flaming Pen Pres to release my first novel Swords of the Six.

To make this long story short, I went from self-published, to a contract with AMG for my first three novels, and published my last two novels under Flaming Pen Press.

In my experience working with the traditional publisher, while a thrill all its own, has been detrimental to my writing career. Do not misunderstand me, there are huge benefits also. But when I had my first novel under my own direction I knew I could keep it in circulation, keep it in front of readers, and build on its success.

Traditional publishing gave my work exposure to new markets. But looking back I realize that signing that first contract took my book out of circulation just when it was hitting a great level of success. I was forced to publish a collection of short fiction in order to appease readers who were begging for my second novel, which they couldn’t have until after the first was re-published by the publishing house.

Another challenge came when some buyers did not approve the cover art for my second novel. The publisher opted to get a different cover art and it didn’t fit the vision I had for the book originally. Again publication had to be delayed.

Sticking with growing my own publishing company would have all-but eliminated that roller coaster ride. Controlling your own business means growing it at a steady rate acceptable to you, controlling the quality and nature of your products.

Case in point are my novels Neverqueen and The Phantom’s Blade which I put under my own Flaming Pen Press. These titles look and feel how I want them to, read the way I want them to, and sales are steady and slowly growing.

With traditionally published titles marketing for them flows and then dies. Publishers move on and sometimes close down.

Moving forward I am looking to build Flaming Pen Press again and eventually publish other people’s books. Years ago I attempted to do so with Kestrel’s Midnight Song but I failed in a couple areas when making that business decision. The author worked hard, the book won an award, but having set up the book printing a more costly way we took a financial hit on returns.

What is awesome about that is that I own the company. We can learn from mistakes and evolve the business so that it makes financial and artistic sense. Books should be non-returnable so that retailers can’t carelessly order more than they need and ship back damaged product at the publisher’s expense.

A slow and steady growth in book writing, publishing, and marketing empowers the writer to establish trends, rather than following them. It’s one way of avoiding the industry’s roller coaster effect. It is not for everyone because not all writers want to learn the management of their own publishing company. But my compass points more certainly in that direction these last couple years.

Q: What hurdles have you faced in your writing?

A new writer’s biggest mistake

First-time writers are fun. They are full of energy because they are crazy enthusiastic about the stories they are creating. I have found this particularly true of those who write fantasy. It is interesting what holds many of these writers back, and it is a problem they can overcome.

Some people think that the biggest problem with new writers is that they don’t edit their writing well, or that they don’t spend the time revising and changing things in the manuscript to craft a stronger story. But both of these things are symptoms of the bigger problem and the most common issue with writers who aspire to be published authors.

There are so many times that I have been approached by aspiring authors. They have many questions related to publishing, selling their work, and editing. I have been told that I am an approachable person and I do try to be. When someone has questions and enthusiasm for writing I want to help them. Writing and publishing are long, challenging processes filled with mystery to the outside observer. When possible I like to pull back the veil, revealing the ins and outs of the process so that others can more speedily learn what I struggled with.

Often, but not always, I run into an issue when this happens. The writer will ask for my advice and I will give it. But they are quick to dismiss what they don’t want to hear and zero in on what they want to hear. They have trouble accepting professional criticism.

A writer’s first work is going to lay the groundwork for their career. If you have taken professional criticism and polished your work it will make a good first impression on readers. But if you have not then you will lose readers’ trust, your work will barely sell, and your future writing career will prove even more difficult to build.

Professional criticism is the single biggest boon to an aspiring writer. If a writer is unwilling to humble themselves to accept criticism they will not grow, they will not improve their craft, and they will have little to no respect among their writing peers. Certainly they will hold no respect with publishing industry professionals.

I liken these writers to a vacationer making a mountain trek through the snow. Instead of following the footprints of their guide they choose to strike out on their own, seeking a better path.

It is foolish to neglect criticism and to listen only to what we want to hear. We only grow and improve when we are uncomfortable. It forces us to change things, it forces us to conform to a better way.

Certainly there is the challenge of retaining our own unique creativity, but ultimately writers are born not made and if we seek counsel from mentors accomplished in what we are endeavoring to do, we can succeed.

Find a guide who has gone before you and listen humble to their advice. If you want to be like them someday and succeed as they have you will need to listen to their advice.

Q: Do you look for mentors to help you grow in your life?

Why print books are here to stay

Several years ago the success of digital books, mostly related to the wide reception of the Kindle reading device, spawned a big debate amongst readers, editors, authors, and publishers. The question: would digital books kill the sales of print books? At the time most experts agreed the print book had seen its day and the vast majority of readers would shift over to digital. Back then I was one of the few, at least on the web, who took the other position. Print books are here to stay.

Print books are here to stay. It is interesting to note that most of my peers in the publishing industry postulated that the death of print books would be, in large part, a generational thing. It was postulated that younger readers prefer their devices. They prefer their technology.

Truth is, I have traveled through many states and spoken with thousands of students. In public schools a decent portion of the readers did later purchase my books on their iPads and their Kindle readers. Yet still the vast majority purchased the print copy. Some readers bought both. In the homeschool crowd I found many readers like myself, and for the most part they preferred print copies. Print copies can be signed by the author and lifted to your face for that comforting book smell. Ah! Ink on paper.

My personal library contains books dating back to the mid-1800’s. Those books have been handled by people long dead. The scent of the people and of the world they lived in contributes to the book experience in a way digital books never can. Physical books have memory in their pages and in their cover.

I have nothing against digital books. They have been a marvelous medium through which to expand my readership and my own reading material. Also, I have read a fair number of books on my own iPad and have greatly enjoyed it. But they are not an artifact. Nor can they be. A print book can stand on a shelf as a discussion piece. A print book retains an element of each person that touched it.

The publishing industry should not have been so swift to judge print books as artifacts. They are here to stay. Most readers of my books are middle graders, high schoolers, and college students… and they prefer paperbacks.

Question: What advantage do you see with paperback books?

What defibrillators have in common with a Writing Career

A powerful jolt of electricity can get a dead engine running again. A defibrillator can make the human heart beat again. Everything needs a “jumpstarter” every now and then. My writing career took a few blows these last few years and sometimes it feels like I’m down for the count. But I’m not.

Urgo in Stargate SG-1

Remember that episode of SG-1 when Urgo is influencing the team’s decisions. “Try the paddles,” he says to Teal’c. So Teal’c grabs the defibrillator paddles and moves to use them before he is stopped. Really it was a funny episode!

My agent recently gave me the news that my publisher backed out of publishing the fourth book in my series The Sword of the Dragon. I can’t say this shocked me. I know that the publishing market has been struggling. But it still comes as a disappointment and I have to reassess some things. Before I get all of you worried, the rights for In Search of Dragons have reverted to me and I will be publishing it next year. Only difference is it will release from my company, Flaming Pen Press. Neverqueen sequels will also be released under FPP (more and exciting updates coming on this soon).

I have been eager to get back onto the road with book tours. I especially miss visiting middle schools. The interaction with fans was unparalleled and the excitement and interest it generated in my books was a constant source of strength and inspiration for my writing and my writing career.

On the upside I still have my literary agent. She has all the connections necessary to sell my manuscripts to publishers. On the downside working full-time in sales combined with family life leaves very little time to get my writing done. I have plenty of projects in-the-works, but I need to get them finished.

Take it from me there is nothing like pressing onward toward living your dream. I’ve lived it a couple of times. Right now I’m on sabbatical until I can work the kinks out so that I’m back out there nonstop writing, promoting, and selling. God will open the right doors as long as I keep working at it! (-:

Question: What discouragements have made you feel like ‘throwing in the towel’ on your dreams?