How past success motivates current endeavors

It’s amazing looking back over the past six years. So much has changed. I am a goal-oriented person and I am pleased to see that most of my goals have been reached. With the release of The Phantom’s Blade this past week I now have five published fantasy novels. It is important to reflect on what we’ve accomplished. It sets our mind in a positive way, looking ahead to greater things to come.

I can remember the thrill of holding my first copy of Swords of the Six in my hand. It was a dream come true. And somehow that feeling is duplicated every time I hold a copy of a new release in my hands. Each book represents numerous hours of thoughtful, sometimes painful attention to story and detail. Trying to make each book a work of art is always my goal.

Every time I hold a copy of one of my newly released novels in my hand I feel thrilled and relieved. Finally the hard work has paid off. Finally I can share with readers the story that has been banging around in brain, screaming to be released. Each story is a piece of my soul, as it were. A sharing of my deepest convictions, conflicts, fears, and hopes.

Storytelling is a beautiful thing. The task of writing a new novel is enormous. Each time I begin the journey the end seems insurmountably far off. But when I look back at the works I’ve already published I find encouragement and it helps me persevere until the task is completed.

Q: Do you get a thrill when you craft a story? Or when you read a new book that impacts you?

Cover reveal: The Phantom’s Blade (The Sword of the Dragon Book 4)

In preparation for the release this Fall of The Phantom’s Blade (The Sword of the Dragon book 4) I commissioned the same artist who did the new edition for the Neverqueen cover. Here is the final cover:

Novel plot tease:

From across the sea the Maiden Voyage has failed to return to the Hemmed Land, leaving Ilfedo to wonder at the fate of his beloved Warrioresses . . .

The Hemmed Land is in political confusion thanks to Vortain’s dissidence. As mayor of Ilfedo’s chief city Vortain holds great political sway. He openly opposes Ilfedo’s proposal to form a rescue expedition to bring the people of Dresdyn to the Hemmed Land, and regards the young woman Ilfedo brought back from the Hidden Realm with deep suspicion. Even more strong is his opposition to Lord Ilfedo’s declaration that, as the albino long ago prophecied, the entire population must seek a new homeland.

Holding himself to a promise Ilfedo will not be swayed from seeking the people of Dresdyn. His allies are strong now. Few in the land hold the wisdom of Brother Hersis, and fewer still command the same respect in the military as Lord Ombre, and none have risen so high in the esteem of the people as Oganna.

An expedition launches to seek out the people beneath the desert sands, and only Ilfedo truly recognizes the nature of the enemy they face.

3 Elements of Creative Thinking

Often the best things in life cannot be forced into existence. It is not easy to think creatively. Sometimes the creation flows, bringing us endless smiles. Other times we are hanging on a thin rope over the edge of a black chasm, groping helplessly for that sliver of light that will bring our creativity back.

Creative thinking is composed of three key elements:

  1. Absorption
  2. Reflection
  3. Inspiration

We start by absorbing books, music, movies, conversations with friends, and activities with family. Thinking of ourselves as a large pool, absorption is the process of filling up with so many ideas or concepts that our creative reservoir reaches maximum potential.

With all the new ideas, considerations, and dilemmas flowing through our mind we are ready to sit back and reflect. Meditation frees the mind to examine how best to use our creativity. Process it before we move forward on a particular creative path, whether that be writing a blog post, drafting a novel, painting a picture. The possibilities of creativity are endless.

Inspiration at last kicks in. Our brain is overflowing with ideas. Some good and some not, yet we can move forward. The reservoir is full and ready to take pen to paper, plan to the drawing board, hands to the loom.

Question: What have you done to break into creative thinking?

Backstage Pass! Creating an original Fantasy creature: the Megatrath

The many aspects of the creative writing process includes designing creatures never seen before. I love this process! It brings the fantasy world to life and enables visual representations that make it real for the reader. One such creation was the Megatrath.

Dragons, elves, fairies are all great in fantasy fiction. Also, they are undeniably linked to classic and established fantasy. When writing your own fiction the last thing you want to do is appear to be stuck using other writers’ ideas. While I do appreciate using the classic fantasy creatures in my stories, I find greater satisfaction in designing new ones.

In my old fantasy sketchbooks I have a wealth of creature ideas. These were first conceived of during the initial creation of The Sword of the Dragon story. Looking back, I am glad I took the time to create not only written content, but sketches and maps, too.

For the Megatrath I drew inspiration from the head of an alligator, the tail of a lizard, the feet of a dragon, and then I gave it six legs. The sketch that you see in this post is artist Amber “Vantid” Hill’s representation of one of these creatures. It was not easy at first to get her to sketch what I had envisioned. The process took several hours of live video chat so that the Megatrath turned out right.

You will recognize this creature from my novels Offspring and Key of Living Fire.

Question: Have you envisioned any original creatures that you would like to see used in fantasy novels?