When stories understand their audience

Expectations. We are people of expectations whether we want to admit it or not. When we go to read a book or watch a movie we have an expectation of the story that must be made if we are going to positively reinforce it to people that we know.

When I started off my writing career I did my best to craft a story that would resonate with a broader audience. But truth be told I didn’t understand how to do that, and now I understand that you should not do that. The story doesn’t necessarily need to be divisive but it should be thought-provoking and challenging to folks of a different world view.

Someone who picks up a harlequin romance is going to have a different expectation than one who is looking for a Christian Amish romance. On the one hand a conservative reader might appreciate the lack of physical description and sexuality in an Amish romance. But on the other hand another reader might have an expectation of realism. To them the Amish romance is rediculously tame, to the point that they find it unrealistic and cannot enjoy the story.

Reader expectation is everything.

For those of you who have watched the first Maze Runner movie, you will appreciate what I’m about to say. If you thought that it was a dystopian along the lines of the Hunger Games, as I did, then when movie two came out you were severely disappointed when it turned into a zombie apocalypse. Your expectations were let down and you felt deceived.

Amidst the muck of politically-charged media-driven fiction, a few stories highlight what’s beautiful.

When I say muck, I am referring to that moment when I was watching a show with my kids, in this particular case it was the show Voltron, when the last episode introduced a gay couple wedding. I am referring to the Netflix original series the dragon prince, which had a great story going for it but in the second season decided to introduce a prominent lesbian couple. In the absence of strong traditional male-female romantic interests these pointedly emphasized relationships reek of political correctness. Thankfully there have also been some examples recently of stories that do themselves service by understanding their audience and delivering a story that their audience loves because it resonates with their values.

As a parent, I find it increasingly frustrating when I cannot simply enjoy the show without worrying that a politically charged message is going to be thrown in my kids’ faces.

This post is not a rant. It is not even a disparagement to those types of stories that I find offensive to my kids. Although I will note that my kids were the first to find it confusing and offensive because it went against their very nature. It is interesting that in the simple thinking of children is often found the greatest truth.

As a writer I have often struggled to understand my own audience. Even now as I am re-writing my first novel I have struggled with some elements of the story that could’ve been crafted in a mature fashion, but instead I wrote in a simplistic way so as not to offend certain readers. I have experimented with re-writing some of those sections of the story in a more adult manner, and in some respects the story is far better for it. But I will let the readers be the judge. My job is to make people think without breaking down their sense of morality. If my stories are successful than they encourage my readers in the ideals that they strive to live out.

I think that the recent Toy Story 4 was a fantastic example of a creative team who understood their audience. I saw an interview on the BBC where someone was complaining about the “lack of diversity” in the characters. Her complaint was laughable really, because it centers around a bunch of toys! But I found it interesting that she complained about one toy that didn’t seem as strong to the feminist perspective. In my opinion that element of the story was what made the film as great as it was. And you know what? My kids absolutely loved it.

When a creative team understands the audience that they are appealing to, then the story resonates and impacts the audience’s soul. If, instead, the creative team seeks to placate a critic, then the story loses its punch.

I am fascinated by this. The closer we get to strongly-set morals, and the closer we get to a familiarity in the story that challenges us and makes us stronger or encourages us, the more impact that story has on us.

For some people that set of morals is going to look entirely different than it does for another audience. But that’s okay. Not all stories are made for all people. Neither should they be.

Controversy generates hype. Similarities create relationships. Relationships are built on trust, and relationships only grow deeper the longer they last.

Q: What expectations have you recently enjoyed or found disappointing?

How past success motivates current endeavors

It’s amazing looking back over the past six years. So much has changed. I am a goal-oriented person and I am pleased to see that most of my goals have been reached. With the release of The Phantom’s Blade this past week I now have five published fantasy novels. It is important to reflect on what we’ve accomplished. It sets our mind in a positive way, looking ahead to greater things to come.

I can remember the thrill of holding my first copy of Swords of the Six in my hand. It was a dream come true. And somehow that feeling is duplicated every time I hold a copy of a new release in my hands. Each book represents numerous hours of thoughtful, sometimes painful attention to story and detail. Trying to make each book a work of art is always my goal.

Every time I hold a copy of one of my newly released novels in my hand I feel thrilled and relieved. Finally the hard work has paid off. Finally I can share with readers the story that has been banging around in brain, screaming to be released. Each story is a piece of my soul, as it were. A sharing of my deepest convictions, conflicts, fears, and hopes.

Storytelling is a beautiful thing. The task of writing a new novel is enormous. Each time I begin the journey the end seems insurmountably far off. But when I look back at the works I’ve already published I find encouragement and it helps me persevere until the task is completed.

Q: Do you get a thrill when you craft a story? Or when you read a new book that impacts you?

How to preserve your story ideas

It seems like I’ve been coming up with story ideas since I was a little kid, and I feel that it is true. Digging into my childhood memory box will reveal a small treasure trove of hand-drawn picture books I created for my siblings, as well as creature sketches, and lists of the numerous books I was reading. The box of story ideas began back then.

I remember working on a story about a mouse family. My brother drew pictures to go along with the story because he loved it so much. The concept was a family of mice in an abandoned house who get caught between warring factions of living toy soldiers. I still remember that story… Yet the material has been completely lost. The idea is there. Even some of the details stick in my memory, yet much of it will be a struggle for me to regain.

I wish I had had an idea file in a computer back then.

Nowadays those ideas are most often thrown into computer files. I like the security this affords. I can store the idea, then refer back to it at my leisure. The files have grown over the past twelve years. The idea behind them is that they are ideas that I do not have time to write, at this time, yet I intend to get to someday. There are new fantasy novels, science-fiction, mysteries, historical fiction, even a romance or two.

But I would be remiss if I did not mention my notebooks. Writing on paper has always given me my greatest story ideas. Much of the core material behind The Sword of the Dragon books was hand written. There’s nothing akin to sitting outside enjoying nature, the fresh air, with pad and pen in hand. No rush, simply enjoying the process. My preference has bounced between ruled paper and sketchbooks. Each offers a different feel that fuels creativity. Ruled paper allows me to feel more structured, especially for outlining ideas. Whereas sketchbooks feel like a clean slate I can fill with my tiny handwriting.

The writer’s imagination is always gathering ideas. It would be career suicide to throw those ideas out. Even if the raw idea is not ready for publication, its premise or an element of it may stick to create something memorable. A few times I have found I end up incorporating them into existing storylines. The Sword of the Dragon series has benefitted greatly from the use of ideas from these files.

Q: Do you have a system to file your story ideas?

Why print books are here to stay

Several years ago the success of digital books, mostly related to the wide reception of the Kindle reading device, spawned a big debate amongst readers, editors, authors, and publishers. The question: would digital books kill the sales of print books? At the time most experts agreed the print book had seen its day and the vast majority of readers would shift over to digital. Back then I was one of the few, at least on the web, who took the other position. Print books are here to stay.

Print books are here to stay. It is interesting to note that most of my peers in the publishing industry postulated that the death of print books would be, in large part, a generational thing. It was postulated that younger readers prefer their devices. They prefer their technology.

Truth is, I have traveled through many states and spoken with thousands of students. In public schools a decent portion of the readers did later purchase my books on their iPads and their Kindle readers. Yet still the vast majority purchased the print copy. Some readers bought both. In the homeschool crowd I found many readers like myself, and for the most part they preferred print copies. Print copies can be signed by the author and lifted to your face for that comforting book smell. Ah! Ink on paper.

My personal library contains books dating back to the mid-1800’s. Those books have been handled by people long dead. The scent of the people and of the world they lived in contributes to the book experience in a way digital books never can. Physical books have memory in their pages and in their cover.

I have nothing against digital books. They have been a marvelous medium through which to expand my readership and my own reading material. Also, I have read a fair number of books on my own iPad and have greatly enjoyed it. But they are not an artifact. Nor can they be. A print book can stand on a shelf as a discussion piece. A print book retains an element of each person that touched it.

The publishing industry should not have been so swift to judge print books as artifacts. They are here to stay. Most readers of my books are middle graders, high schoolers, and college students… and they prefer paperbacks.

Question: What advantage do you see with paperback books?

Announcing “The Phantom’s Blade”

Around ten years ago I wrote my first fantasy manuscript and titled it The Lord of Emperia and that story began to expand. I explored the origins of the various characters and developed a history for the storyworld that, simply put, became too complicated for a single volume. The Sword of the Dragon series was born. When I wrote the first novel I was forced to split it in two… Well, I’ve done it again!

In the original manuscript for The Sword of the Dragon series I did not have the character of Specter, nor did Ilfedo ever take a journey through the subterranean tunnels under the Resgerian desert. He never discovered the city of Dresdyn. But in my third novel Key of Living Fire I could not resist the many ideas for deepening the characters and relationships in the series. The result has been that the fourth novel In Search of Dragons was divided by two large story arcs that were both necessary to the series.

As I worked on writing the manuscript I came to realize that both stories deserve their own novel. So the result is that The Sword of the Dragon book four gains a new title The Phantom’s Blade and In Search of Dragons becomes book five. The up side to this outcome? There is more story for readers to enjoy and deeper character development.

Cover art for The Phantom’s Blade is under way and I am writing the final quarter of the manuscript. Looking to release this book Fall 2015.

Question: Are you looking forward to The Phantom’s Blade?

4 Reasons Why I think Nancy Drew and The Hardy Boys helped shape family fiction

Were you one of those readers that got hooked on the Nancy Drew and Hardy Boys mystery series? It is important to understand what made those mysteries so accessible to us and here is why:

The Nancy Drew and Hardy Boy mystery stories drove home traditional family values with characters who were morally upstanding. (Quite the contrast to the majority of contemporary fiction.) Growing up I recognized that something about those series grabbed people in an extra powerful way. Interestingly, here are four areas where they differ from most contemporary fiction:

  1. Both series showed strong-willed characters who were passionate about helping people, including saving people in need.
  2. Nancy, Frank, and Joe treated their fathers with the greatest respect and had strong relationships with them.
  3. Nancy, Frank, and Joe chose friends who were responsible and motivated.
  4. They also LOVED to read and research.

We need more fiction like that. We need NEW fiction like that. Unfortunately the book industry leaders think they know better. I’ve been told that in order for young adult fiction to sell it needs to do much the opposite of these things. Specifically the adults must be inconvenient annoyances.

My response to this? What is the purpose of those books? As an author I want to motivate and inspire. But most publishers want to follow the trends. Well, I pray that God keeps some of us authors from doing that so that you, the reader, can be convicted, inspired, and motivated to uphold good family values.

Question: Do you think authors should cave to popular wisdom, or write the stories that encourage readers to stand for what is right?

How your content impacts the globe

It surprised me the other day, when conversing with an Egyptian friend of mine, to find out that back when Wonder Woman and The Hulk shows were playing on TV they were running internationally. Just like American kids, she was fascinated by those superheroes. I guess I had still thought of Egypt as an out-of-the-way corner of the world where media only recently became so impactful. It was a fun and enlightening conversation. It got me thinking on how our creative content influences people on an international level.

Content that promotes gratuitous violence, sexual promiscuity, lying, and foul language will breed those shortcomings in the societies they impact. Conversely, content that encourages self-control, godly behavior, and faithfulness will encourage those qualities in the cultures they reach.

A couple years ago I received an email from the first fan of The Sword of the Dragon series in South Africa. As it turned out, a bookstore down there had started carrying my novels and people were loving them. It amazed me to realize that the fictional characters I’d created were quite literally my ambassadors to corners of the globe that I have never visited.

In the same manner, creatives around the world have been sending their own ambassadors. It has been thrown into hyperdrive by the advent of the digital age. And those ambassadors can either impact the world for good or for evil. Artists, parents, authors, producers, and bloggers… in this digital age, what kind of a world do you want to make?

Question: How do you see content creators impacting the world?

Backstage Pass! New cover revealed for “Neverqueen”

After the negative feedback I received on the original cover for Neverqueen, it was time to start from scratch. Give Neverqueen a look as classy and other-worldly as the covers for The Sword of the Dragon series. Ready for the full reveal?

Thanks to all of you who voted on the 99Designs poll to help me choose the final design. Your feedback was critical in helping me make the final decision. The next step is to get this version into print. For the time-being the other edition will be set as out-of-print until the new files can be uploaded to the distribution channels. In the meantime, I am planning the artwork for Neverqueen 2. It is my hope that this sequel will be ready for release in time for Christmas.

Question: Which of my upcoming releases are you most excited about? The Sword of the Dragon-book 4-In Search of Dragons, or Neverqueen 2: The Suffering Chalice?