How tragedy strengthens romance in fantasy

Tragedy grabs our attention more certainly than most any other writing device. Think of it! You fall in love with a character, follow their journey of romance, but then something insurmountable is revealed and the romance can never culminate. In fact, it must come to an end and the characters will never see each other again. They will be left alone in their grief, each desiring the companionship that can never be. Such stories are potent because they grab at our desire for companionship and romantic fulfilment. Some of the best books I’ve read are fraught with tragedy, and romantic tragedies are among the most memorable.

While most people know Star Wars as a film franchise, most do not know that this franchise has been built on the pages of literally hundreds of books. Some of them are among the best fantasy novels that I have ever read. Following the original movies (A New Hope, The Empire Strikes Back, and Return of the Jedi) a group of writers were handpicked to craft great stories to expand the Star Wars universe. One of those books was Children of the Jedi by Barbara Hambly.

The story’s premise is this: Luke Skywalker, haunted by ominous dreams and guided by a force he cannot identify, journeys to a remote asteroid field. There he discovers the automated Dreadnaught Eye of Palpatine–from the days of all-out war. Taken aboard the ship, Luke is counseled by the spirit of Callista, a Jedi Knight who gave her life to stop the ship once before. Together they must figure out how to stop the ship from destroying a world.

The premise doesn’t do this book justice. Through the Force, Luke and Callista grow to love each other. Their desires for each other will be forever unfulfilled. Their destinies will separate them irrevocably.

I love this story because it illustrates what a story can be. How it can play at our heartstrings. Maybe you’re not a romantic like me, but still you can appreciate the potency of the emotions romantic tragedy plays in fantasy fiction. As I read this book I found myself asking how I would have remembered the story differently if it had had a happy ending to the romance. It would have changed the mood of the book entirely. In fact, it would have weakened the story. Callista’s self-sacrifice makes you love her. Luke’s heartbreak makes you resonate with his sorrow but at the same time admire his steady path as a jedi master. Emotional entanglements are left aside when they interfere with the greater good of bringing peace to the galaxy.

The impression this story had on me ended up influencing the writing of my fantasy novels. I am not afraid to kill a romance, nor to introduce tragedy, because each of these strengthen the reader’s empathy with the characters. The next time you read a novel that grabs your heartstrings, try asking yourself what it was in that story that made it stand out to you and impact your thinking.

Q: Do you appreciate a romantic tragedy?

A foreign film showcases great storytelling

The best movies are backed by strong writing but some of the biggest productions have failed in this regard. Recently I discovered a little-known fantasy movie titled I am Dragon that surprised me with its straight-forward story, great acting, top-notch special effects, and satisfying conclusion. A good movie can instruct us on how to become better storytellers by reminding us to ask the right questions and deliver the right message. I am Dragon reminded me of what makes a great story.

Are you tired of movies that rely on action scenes to keep your interest? I am. Though I do appreciate action when it is applied properly, the heart of a story is never the battles, it is the soul of the characters and the arc of mystery, intrigue, or romance that they are following. You could say that the drama is the most important aspect of any good story. It grabs your attention and holds you through to the end because it gives you human elements that you can relate to. You may not understand what it is like to fight in a war, or touch a majestic beast, or be wounded in battle. But you probably do understand what its like to fall for a beautiful woman, or lose one you love, to struggle financially, or to battle physical illness or handicap.

When writing a fantasy story, ask yourself what is at the story’s heart. What elements can people relate to? What parts of the story will they aspire to live out? Everyone wants to be a hero or heroine. We all want to be loved, respected.

Much of the writing that I see in fantasy today is DARK. Dark in its mood, dark in its presentation of humanity’s flaws, dark in its outcome. What happened to HOPE? This is something essential to good storytelling. Imagine if God’s story through the gospel was to send Jesus Christ to Earth only to destroy everyone. Imagine if vanquishing Sauron’s evil in The Lord of the Rings did not return peace to Middle Earth. Picture Star Wars without a new hope, where Vader is never redeemed.

Every story that stands out in my mind has a beautiful end, an end that includes hope and, often, restoration.

I am Dragon is a Russian film production that seems to have received very little attention. The premise is, as some might say, deceivingly simple. Young brides were long offered in sacrifice to dragons until a dragon-slayer arose to free them from the beast’s reign of terror. But the slayer’s grandson uses the dragon-summoning song during his betrothal and the bride is taken by another dragon. What follows is a fantasy tale of legend and romance. This movie has the best dragon that I have ever seen on screen. Though I still love Peter Jackson’s version of Smaug, the dragon in I am Dragon is more relatable in its size and design. The facial expressions it achieves are stupendous!

What makes this movie special is its reliance on a simple story backed by minimal cast and gorgeous scenery. The story opens with dark themes, even dark cinematography. Then a shift takes place and brighter themes and scenery bring elation to the viewer.

As writers, we would do well to study the story in this film.

Q: Do you prefer dark stories, or stories of hope?

Flaming Pen Press‘s newest fantasy book release is also a story of hope. Check out Neverqueen 2.

The wizard wanted a male heir, but when he saw that the boy born to him was malformed he determined to kill him. Born into a life of cruelty, Valor could easily have fallen into his father’s darkness. Instead he set out to undo the wizard’s madness by covering those around him with the Creator’s compassion and light. The prophets are at work in the shadows, bringing forward the Neverqueen as the next prophetess whose reign will bring hope to the people of Paradon, and to her own people by the Eiderveis River. Her mysterious interactions and judgements will settle a caution and a terror in the hearts of the sorcerers and others who ignore her warnings. Unlikely alliances are formed in this story of hope that rises through adverse circumstances.

Destructive effects of feminism on fiction

In the worldview of those who agree that God created a natural order of things, we understand that Adam was created first and then Eve. In the world today this is constantly challenged on many levels. From the patriarch Abraham and continuing through the New Testament it was made clear that God’s intention was that a healthy understanding of the place of the man and the place of the woman was key to the success spiritually and relationally. Looking at the move toward stories that are dominated by domineering fictional women, we see a trend and a movement away from the natural order.

This may offend some, and you should feel free to disagree. It is fun to hash out our differences of opinion. But I am a big proponent of understanding things as they were originally intended, not as we culturally want them to be. And our culture is pushing things farther and farther away from how God designed it to work.

Feminism, by definition, is: the advocacy of women’s rights on the basis of the equality of the sexes.

I have often heard it argued by other Christians that men and women really are equal. But in order to believe that you have to discredit the tradition as taught by the apostles, that the man is the head of the wife and she is to be obedient to him. You must ignore Levitical law that placed men in preeminence in society and in their households. You must ignore the natural physical dominance of men. And you must discredit the fact that families where the man leads, the wife follows, and the children are in subjection, where the man is trying to lead in the Lord’s will, is the most effective kind of household there is. They are more effective at work, at play, and spiritually more satisfied because they feel secure in the order of authority God placed on the household.

When women seek equality with men (as is being proliferated throughout much of the world today) they remove themselves from their strength zone. Women are naturally more nurturing than men. The most nurturing of men is not nearly so nurturing as the most nurturing of the women. According to scripture they are the weaker vessel. Unfortunately present society instructs us that this is a horrible way to think.

They are spreading lies, and the result is confusion. Spiritual and moral confusion, as well as relational confusion.

How sad that that which is most precious and beautiful is being cast into the mud!

What is beautiful is a woman who is meek, who is a help suitable to her husband. Who is a daughter working diligently and learning under her father’s authority. Who is not independent but is dependent on her male authorities and on God.

It is well said that a man’s sinful tendencies revolve around giving up the authority God wishes him to exercise in his home. It is equally well pointed out that a woman’s sinful inclination is to manipulate that control from the man. To each gender God has given great and unique purpose. And each must beware their weakness.

Fiction writers today, especially those of us who profess Christ, must beware that our writing does not encourage feminism. Through the tale of  a strong heroine do not neglect to demonstrate virtue to the reader. When the heroine is in a position to surmount the man’s authority, let her do so only if his actions are in opposition to God’s. Demonstrate her humility as she puts herself under authority and excels in virtue so that young women will aspire to be more like that heroine. Show a woman that is kind and nurturing, wise and discreet. Make her unlike the modern woman. Show that she thrives on hard work, and show that she loves children.

I truly believe that the corruption of womanhood that we are witnessing in society will be laid bare, exposed for the farce that it is. Rather than freeing women, feminism alienates them from good responsible men and from their God-given strengths.

History shows that societies rise and fall, they change and move on. What never changes is the will of God. He created gender for a reason.

Q: What thoughts do you have on how feminism or the view of the relationships of men and women relate to writing?

“The Undervalued Gift of Laughter” by Paul Regnier (GUEST POST)

Hi readers! This month Christian author Paul Regnier asked me to review Space Drifters: The Emerald Enigma, and he agreed to write this month’s article “The Undervalued Gift of Laughter.”
Mash together (in novel form) the Guardians of the Galaxy, a little Indiana Jones, and Disney’s The Black Hole and you’ll have an idea how The Emerald Enigma comes off. Paul Regnier surprised me with this book. I do not normally go for the humorous sort of space opera but he really pulled it off. I found myself laughing aloud on several occasions. The characters are predictable but not in an off-putting way because they are fully fleshed-out, having each their own unique charm. You will love his book.
Scott Appleton

The Undervalued Gift of Laughter
by Paul Regnier

Don’t we all take ourselves too seriously sometimes? One of my goals as a writer is to bring more humor to stories.

There are certainly times to have serious and dramatic moments in writing and treat spiritual messages with the reverence due the subject matter but I think humor is sometimes neglected. Comedy is often viewed as “light” or “fluff” in stories as if it’s just some throwaway, cheap thrill like candy. I firmly disagree. I think humor can be just as impactful as serious drama.

I know that in my life, humor and laughter have been a huge help in going through tough times. In my darkest of days the value of humor cannot be overstated. Laughter is one of the natural healing tools God has blessed us with.

Proverbs 17:22 “A merry heart does good, like medicine, but a broken spirit dries the bones.”

A quick web search will reveal a myriad of health benefits associated with laughter:
-Aids the healing process
-Reduces stress
-Promotes relaxation
-Boosts the immune system
-Produces pain relieving endorphins in the body

“A clown is like an aspirin, only he works twice as fast.” –Groucho Marx

When I get together with friends, laughter is always a part of our interaction. It bonds people together. It eases tension and helps to overcome the stress and worry of life. Plus, it’s a natural way to celebrate the joy of what God has given us.

Psalm 126: 1-2 “When the Lord restored the fortunes of Zion, we were like those who dream. Then our mouth was filled with laughter, and our tongue with shouts of joy; then they said among the nations, ‘The Lord has done great things for them.’”

I view humor and laughter as tremendous gifts from God. When I incorporate them into stories, my hope is that the reader will be lifted up and encouraged the same way God’s gift of humor continues to do so for me.

You can find Paul Regnier on facebook

Find The Emerald Enigma on Amazon

Dealing with immorality when writing fiction

During contract negotiations some years ago my fantasy novel Swords of the Six went before a Christian publishing house’s committee and a couple of editors raised objection with the violence in the story. I remember the acquisitions editor asked for a good response to their concerns. Back then I felt in my soul what I wanted to say, but it was difficult to put it into words. Fortunately another editor had foreseen this and I was able to satisfy their questions by showing them why I believed violence was a necessary element in that novel.

In my books and my short fiction I deal with tough subjects, darker themes. Being a Christian empowers the clarity of good versus evil, yet it presents its own set of challenges when well-meaning parents or readers object to elements of my stories’ content. Violence and romance are a couple of examples.

As a guideline I like to look at what God left us: the Bible. And what is the Bible full of? Along with good deeds it is full of violence, theft, incest, rape, murder, and all kinds of wickedness. But what the Scripture does not do is glorify the sin or the sinner.

Some have argued that those sins are shown only because they are part of history, but it’s important to note that these things are not glossed over. Rather, they are often told in great detail. As to historical context, a simple summary of an evil act or an act of violence would suffice but instead we are often given the details.

A prime example is Ehud who slew King Eglon (Judges 3:12-30). Some would consider the details of Eglon’s death gross and gratuitous. Who wants to picture stabbing someone who was fat enough that his body fat prevented Ehud from pulling the blade back out?

But because of the details we experience disgust, and those who are inclined toward wicked deeds find themselves horrified at the consequences of God’s retribution.

In past ages children were not sheltered as much as conservative Christian American children are from tales of violence and cruelty. Well-meaning parents often miss the point of showing the good along with the bad. The law is a schoolmaster to bring us to Christ, and without a fear of God no one flees into His arms for salvation.

Christianity has the advantage in fiction because it demonstrates love and fear, wonder and evil and horrors. Without the darkness we cannot see how bright the light is.

When fiction is written to be “safe” it creates unrealistic expectations for relationships and our lives. It paints a picture in our mind of ideal people in ideal or easier circumstances.

It is my conviction that we need less “sanitized” fiction and more honest fiction. We need to stop avoiding evil in story in order that the light can reveal the darkness for what it really is. Too often conservative Christian youths enter the world and find that “Surprise! Sin is pleasurable.” But if they are taught to discern instead of avoid, they will have greater defense against temptation because they know that the pleasures of sin only last for a season.

“Do not be deceived: God is not mocked, for  a whatever one sows, that will he also reap. For  the one who sows to his own flesh  will from the flesh reap corruption, but  the one who sows to the Spirit will from the Spirit reap eternal life.” (Galatians 6:7,8 ESV)

Instead of interpreting what is good by how we were culturally raised, let’s learn it from how it is demonstrated in Biblical and historical narratives. Instead of worrying how culture will respond to our writing, let’s be excited to share through stories that are true to our earthly existence, even if that means we have to drag readers through darker events and wickedness.

Show the good, but show the bad too. The Biblical cannon demonstrates this repeatedly. Writing is only powerful as long as we are willing to let it take us through the muck as well as the green fields.

Q: Which subjects do you avoid when reading fiction?

Nothing like a stormy sea in fiction

Nothing is so chilling to the mind as being marooned at sea, or shipwrecked, or worse yet to be drowned in the depths of the sea. The sea has always fascinated me and in my writing I have sometimes alluded to this fascination… and this fear. There are many mysteries still to be solved in its depths, and fascinating histories and myths to which we can set our minds. Whether reading about it or writing about it, the sea offers a humbling reminder of how powerless we truly are in the face of God’s creation.

In my second novel I found opportunity to write a short, albeit fun glimpse of the mysteries of the sea. In Offspring Ilfedo is dragged into the Sea of Serpents, battling the creatures for which the sea is named. But beneath the surface lies a strange sort of city, filled with sentient creatures. They are only seen briefly before Ilfedo is returned to the surface to finish his battle with the serpents, yet it was a nod in my writing to my passion for stories of the sea.

When I was a boy I loved reading about pirates and privateers. I remember one particular true story (and I wish I could remember from which book). This American was engaged to this beautiful young woman and had a close friendship with her Puritan-type father, who was a respected merchantman. This American was in the fledgling U.S. Navy at the time and he had been tasked with hunting a notorious pirate. During his hunt he happened upon his soon-to-be father-in-law and boarded the merchant ship for a pleasant conversation and dinner. Suddenly everything transformed into chaos around him. Barrels that appeared to be filled with legally-traded goods were discovered hide stores of weapons and pirate loot. The merchant’s crew attacked the navy crew and the merchant himself attempted to kill his would-be son-in-law. That American returned home having slain his beloved’s father and–as the story goes–he never revealed the truth of it to either his wife or his mother-in-law. So far as she was concerned her father died tragically at sea at the hands of the dread pirate. If she had only known that her saintly father had been living a dark double-life.

That story and so many others stuck with me.

The creatures of the sea can be terrifying and the lore of large octopus, giant squid, and sharks gives this deep dread of the ocean depths. The loss of such ships as the Titanic and the subsequent discoveries and explorations of it and so many ships that are vastly older make the sea seem to be a time-capsule. Things that are lost there may remain lost for centuries and upon rediscovery their contents can be profoundly fascinating.

If there is any creature on this planet that is as old as the planet, it would have to be contained in the sea. For the land and the mountains were flooded so that for a time the entire world was covered in water until the waters “subsided” that Noah could repopulate the earth. What a thought!

There are depths of the sea that have not yet been explored. It is in constant change, the life beneath it growing even as the ships it wrecks are overgrown with coral. I have an old book simply titled Buried Treasure that documents with text and photos the sea escapades of a treasure hunter. It is fascinating. One account was of a sunken portion of a medieval town. It was reported by the people living along that coast that the bell from the old church could still be heard to toll. Of course everyone else thought they were just making the story up, cast in superstition. The treasure hunter made a dive into the old town and found that entire buildings were still standing, in particular the old church. What everyone had thought to be a myth ended up as being proven right, for it turned out that when the ocean current changed the old bell would bong once again.

Another book I read related the facts and the fiction of old stories of giant sea serpents. There were sightings of those creatures and even one that was caught… and that was the inspiration behind the sea serpents in my fantasy novels.

In exploring the facts of the sea, one is able to expand upon the myths of the sea. In understanding what it is one fears about the sea, one is able to write more honestly about the power of the sea. In understanding how small we are in comparison to nature, one is humbled into acknowledging the power of the Creator. We are the created ones and when we acknowledge that insignificance our writing creativity is empowered.

Q: What aspect of nature both compels your imagination and terrifies you?

Ups and downs of the book publishing world

The first introduction I had to the world of Christian book publishing was at the Glorietta Christian Writers Conference in New Mexico. I was an eager unpublished writer with only a small following on my blog. I’d written some short stories and a few of them had been published in online magazines. The largest payment I’d received on my fiction writing was  (around) seven dollars. At that writers’ conference, I now know, I was about to step aboard the publishing roller coaster that alternates between building dreams and crushing them beneath its wheels.

Nothing will hold you through the publishing journey if you don’t have a love for writing in your soul. That must be engrained in your heart. We will fight to preserve something we love… But many people have a mere curiosity, a need for social esteem. They think “How cool would it be if I published a book?” Little do we realize a love of writing has to be in our blood because the emotional rollercoaster is going to shove our writing in the mud, and put our social life on hold.

Fortunately for me I didn’t enter the world of publishing with expectations of making a lot of money or achieving national fame. Reading and writing open the world to me and those around me. I love to write. Therefore I would write if only a few people cared to read my material. Why? Because it is worth the creative struggle to bring the world literature. By God’s blessing my books have now sold over 20,000-copies and I’ve been encouraged by each email and message I’ve received from new readers and avid fans.

The roller coaster has never stopped.

Back in 2007 I was sending new endorsements and swapping edits with the then-editor at AMG Publishers. For about two years it went back and forth, with hope of contract then the light at the end of the tunnel would dim again as someone on the publishing committee dismissed it. Eventually it was rejected.

All during the negotiation process I read and researched extensively on publishing and business. It led to my founding Flaming Pen Pres to release my first novel Swords of the Six.

To make this long story short, I went from self-published, to a contract with AMG for my first three novels, and published my last two novels under Flaming Pen Press.

In my experience working with the traditional publisher, while a thrill all its own, has been detrimental to my writing career. Do not misunderstand me, there are huge benefits also. But when I had my first novel under my own direction I knew I could keep it in circulation, keep it in front of readers, and build on its success.

Traditional publishing gave my work exposure to new markets. But looking back I realize that signing that first contract took my book out of circulation just when it was hitting a great level of success. I was forced to publish a collection of short fiction in order to appease readers who were begging for my second novel, which they couldn’t have until after the first was re-published by the publishing house.

Another challenge came when some buyers did not approve the cover art for my second novel. The publisher opted to get a different cover art and it didn’t fit the vision I had for the book originally. Again publication had to be delayed.

Sticking with growing my own publishing company would have all-but eliminated that roller coaster ride. Controlling your own business means growing it at a steady rate acceptable to you, controlling the quality and nature of your products.

Case in point are my novels Neverqueen and The Phantom’s Blade which I put under my own Flaming Pen Press. These titles look and feel how I want them to, read the way I want them to, and sales are steady and slowly growing.

With traditionally published titles marketing for them flows and then dies. Publishers move on and sometimes close down.

Moving forward I am looking to build Flaming Pen Press again and eventually publish other people’s books. Years ago I attempted to do so with Kestrel’s Midnight Song but I failed in a couple areas when making that business decision. The author worked hard, the book won an award, but having set up the book printing a more costly way we took a financial hit on returns.

What is awesome about that is that I own the company. We can learn from mistakes and evolve the business so that it makes financial and artistic sense. Books should be non-returnable so that retailers can’t carelessly order more than they need and ship back damaged product at the publisher’s expense.

A slow and steady growth in book writing, publishing, and marketing empowers the writer to establish trends, rather than following them. It’s one way of avoiding the industry’s roller coaster effect. It is not for everyone because not all writers want to learn the management of their own publishing company. But my compass points more certainly in that direction these last couple years.

Q: What hurdles have you faced in your writing?

Are sidekick characters necessary?

Merry and Pippin fumbling across Middle Earth. Donkey jabbering his way out of trouble with Shrek. Sidekicks abound in fiction. With their success has come an unwritten expectation that great fantasy (and fiction in general) requires sidekicks. Modern culture prizes comedians above serious thinkers, adding to the problem.

While we can relate to the reasons a sidekick can sometimes empower a story, there are also drawbacks we must recognize. Sidekicks provide an easy release of tension in emotionally uncomfortable or charged situations. Their primary function is (often) to provide comic relief in situations that the protagonists are sweating over.

What is the drawback to this? We need to be fully absorbed in the story’s moments, especially with their most uncomfortable moments of tension. We need to sweat with the protagonist, not have some other character insert a distracting jab that attempts to lighten the mood. Surely there is a time and place for that, but often the humor is better left out.

Story is a powerful conductor of thoughts, ideas that motivate, and convictions that make the reader want to change or improve themselves. Humor distracts, makes light of, and de-emphasizes truths that build good character. I have spoken before about not modeling ourselves after the villain… but it is also imperative that we not look to comedians and sidekicks as our role models. Humor is a gift to be used sparingly. Deep thought and consideration of how humble and small we are beneath God should be our focus. Meditation and reflection are more beneficial to our souls than the funniest jokes.

Sidekick characters have trouble taking things seriously. They see humor in every moment. They get so caught up in jesting that they are either slow to mature or miss the opportunity to mature altogether. There is great wisdom in keeping silence. There is vast spiritual reward in learning to think, live, and act in sobriety.  “Be sober, be vigilant, for your adversary the Devil walks about as a roaring lion seeking whom he may devour.” (quote from 1 Peter 5:8 The Bible).

It is easier to be foolish than it is to be sober. It is easy to jest especially when it has become the cultural norm. When I look back at some of the great fiction I loved I realize they did not use sidekick characters. Pilgrim’s Progress, Robinson Crusoe, etc.

I do believe sidekick characters serve necessary purposes in some stories, but I do think they are overused. The focus of story most often should be a sober consideration so that we can benefit from the tale we read. The trick when writing in sidekick characters is to not think of them as sidekicks. Let the story guide the character’s evolution so that you (the writer) begin to know their personality. As your understanding of the character deepens you may find opportunity to throw in a little humor, but the beauty of humor is in its spontaneity. Therefore let the sidekick characters be spontaneous and do not drown their story segments in predictable foolishness.

Humor is a gift from God, if used wisely. But used frequently it creates endless foolishness and leads to spiritual decay.

Q: How do you view sidekicks in fiction?