Backstage pass! the value of interior design

AuthorAppleton on October 26, 2015

People do judge a book by its cover. It’s a fact, like it or not. Thus the high priority on a good cover. Hiring a professional artist is a must… But the next impression is just as important and that is the look and feel of the book’s interior. This week I wanted to do something a bit different by highlighting what a good typesetter can do for a novel.

You know the feeling. As a reader you walked into your favorite bookstore and began perusing the shelves for that fresh read. If you are like me the title is the first thing that jumps out at you. You pass over the boring titles (and the ones that scream copycat) and your eyes pause on something that interests you. You pull it off the shelf and immediately resist the urge to let the bile out of your stomach. Yep, the cover is just plain awful. Some author’s niece did it and it screams amateur. Subliminally you are now weighing the possibility in your mind that the author took just as little care and consideration for the content on the pages of that book. You are likely going to flip it open to try the first page (or a random one if you’re one of those kind). But the layout of the book looks as if it were pulled directly off of its MS Word document. The font is all-to-familiar, the chapter headings bland, and the margins are not justified. Your impression? This isn’t worth my time!

You know the other feeling too, of that title that catches your eye. The cover that gives you that Wow factor. Then at last (with one eye closed in case you’re to be disappointed again) you open the book. This time the book’s interior design, layout, and the typesetting are tight. Thus, undeterred you read the first pages with a lot more faith than you did in that amateurish book.

I say all of this to point out that some people are really good at what they do. They have a gift for turning something ordinary into a work of art that will delight the reader’s eye. Sometimes I have made the mistake of looking for the cheap out when it comes to book artwork, design, and typesetting. Yet constantly I see that hiring professionals to produce a great product builds my brand far better than if I cut corners.

For my first book and my two recent novels I used Katherine Lloyd. If you are interested in seeing what a professional does with a book I highly recommend you check out her website: TheDeskOnline Recently Katherine finished typesetting The Phantom’s Blade for me, which will release November 6th 2015. The product looks terrific and gives that touch of artistry that will really make reading this new novel a pleasure.

Q: What books have impressed you with their presentation, and which have turned you away?

How characters with conviction drive story

AuthorAppleton on October 19, 2015

It would be impossible for me to recollect how many times I have heard people say to me, “All religions are really the same. So I don’t believe in any of them.” I think they thought it was impressive to say it, perhaps politically correct and socially accepted in our culture. Besides betraying a lack of knowledge or understanding of what divides religious groups, what they were really saying was, “I’ve given up on searching for absolute truth, so I am not accountable to any worldview.”

Interesting? Not really. It’s sad. Sad that an individual will fall into the trap of giving up on finding the basis for their convictions. Their ethics become based on feelings and emotions, as they are subject to no supreme authority. It brings to mind that verse in Revelation 3:16. It is pertinent to quote it here: “So then, because you are lukewarm, and neither cold nor hot, I will spew you out of my mouth.”

Conversely, I have encountered people of faiths that differ from mine who will tell me in no uncertain terms where they stand. People like that I can respect, even if our beliefs are polarizingly opposed. They know what they believe and why they believe it.

When writing fiction this is an important consideration. What kind of characters do you want to create? Do you want generic individuals so that you have to rely on the plot? Or would you rather have characters of conviction who stand firm on what they believe and why they believe it?

Looking at history demonstrates this repeatedly. If a simple monk had not stood against the Pope, we would never have heard of Martin Luther. If Hitler’s worldview had not been so polar-opposed to Stalin’s socialism, he may not have turned on Russia.

A story that is filled with characters of conviction leaves a lasting impact on the reader because the reader finds themselves rooting for some while condemning others. Characters with conviction can be praised or condemned for their choices and actions. Characters without conviction follow the whims of society and leave little lasting impact.

Conviction feeds growth. It makes people uncomfortable or inspires them, but it certainly leaves an impact on society. Characters of conviction drive story. We can root for them or watch them fall.

Storytelling is a powerful vehicle for exploring the best and the worst in humanity. But characters without conviction fade into the background. They neither angered nor thrilled us… Well, perhaps I am wrong in that. Sometimes they do anger us in the same way that those types do in real life.

Q: Do you recognize what convictions drive your favorite fiction characters?

The Necessity of Vision

AuthorAppleton on October 12, 2015

The existence we know is not the world we reach for
We see things above and beyond ourselves
We grasp at a vision of things to learn
And worlds yet to be explored.

The world around us is bound in the present
Yet we reach into our God-given creativity
Nothing unattainable or insurmountable
And our vision extends to the future.

Vision to see beyond the present curcumstances
Imagination to improve and grow
We will let nothing deter us from achieving our dreams
And the dreamers become the doers.

Vision must be tempered by humility
Without it we choose unwisely
Only with it can we attain our dreams
Our learning is empowered by this path.

The existence we know is only a first step
We see into the future and dream
We begin building the vision in the present
And over time we explore those new worlds.

Holding our Creator’s hand
We are people of vision
Undaunted by setbacks and discouragement
And the future is ours to fearlessly face.

Following in our Creator’s steps
We are people of conscience
Looking beyond this world of sin
And our vision is to stand in good conscience.

Q: Who is guiding your vision?

How my Grandmother’s book keeps giving

AuthorAppleton on October 5, 2015

Growing up I read lots of books. I loved a good story. The tales of King Arthur and his knights, of fairy tales, of Christian allegories… they fueled the fire for storytelling. I grew up in rural Connecticut where small towns and their tiny libraries were the norm, and it’s amazing the treasures that could be found on those old shelves.

As a writer you can mine treasures from old books. It is an unparalleled feeling to look through a long-forgotten volume that, to your knowledge at least, may be the only copy remaining to the world.

Those little old town libraries had great book sales. Often you could pick up a hardcover copy of exactly what you wanted for a dollar, or a paperback for fifty cents. But what I was always on the lookout for were the old volumes. Hardback volumes printed at the dawn of the 19th century, or in the 1800’s. I focused on historical books because their accounts were not burdened by the modern perceptions of the author. Little did I know that some of the greatest treasures could be found in short story collections and poetry.

Some years ago I was visiting my grandmother (my father’s mother) and I told her my vision for using my own publishing company to bring old, long-forgotten volumes back into print. She went and retrieved a couple of books for me and I’ll never forget how pleased I was to get a heavy volume titled The Children’s Book of Poetry. It was printed in 1879.
old book page excerpt
I’ve not finished this book… not by a long shot! It is not merely a collection of poetry, it is an arsenal of stories drenched in variety and, most importantly, morally constructive.

The value in this book is that I can read these old pieces, none of which are thus far familiar to me, and find fresh inspiration. Inspiration that will help feed my creativity for years to come. All thanks to my Grandma. She is the sweetest lady and I’ll always hold this book with fondness, knowing that she gave it to me. I’ve already gleaned some great ideas from these “lost” pieces.

You see? The value in an old book (from the writer’s perspective) is the content it offers. Not its value or interest as an antique.

Q: Do you have any old books from which you might glean inspiration for new content?