Nothing like a stormy sea in fiction

Nothing is so chilling to the mind as being marooned at sea, or shipwrecked, or worse yet to be drowned in the depths of the sea. The sea has always fascinated me and in my writing I have sometimes alluded to this fascination… and this fear. There are many mysteries still to be solved in its depths, and fascinating histories and myths to which we can set our minds. Whether reading about it or writing about it, the sea offers a humbling reminder of how powerless we truly are in the face of God’s creation.

In my second novel I found opportunity to write a short, albeit fun glimpse of the mysteries of the sea. In Offspring Ilfedo is dragged into the Sea of Serpents, battling the creatures for which the sea is named. But beneath the surface lies a strange sort of city, filled with sentient creatures. They are only seen briefly before Ilfedo is returned to the surface to finish his battle with the serpents, yet it was a nod in my writing to my passion for stories of the sea.

When I was a boy I loved reading about pirates and privateers. I remember one particular true story (and I wish I could remember from which book). This American was engaged to this beautiful young woman and had a close friendship with her Puritan-type father, who was a respected merchantman. This American was in the fledgling U.S. Navy at the time and he had been tasked with hunting a notorious pirate. During his hunt he happened upon his soon-to-be father-in-law and boarded the merchant ship for a pleasant conversation and dinner. Suddenly everything transformed into chaos around him. Barrels that appeared to be filled with legally-traded goods were discovered hide stores of weapons and pirate loot. The merchant’s crew attacked the navy crew and the merchant himself attempted to kill his would-be son-in-law. That American returned home having slain his beloved’s father and–as the story goes–he never revealed the truth of it to either his wife or his mother-in-law. So far as she was concerned her father died tragically at sea at the hands of the dread pirate. If she had only known that her saintly father had been living a dark double-life.

That story and so many others stuck with me.

The creatures of the sea can be terrifying and the lore of large octopus, giant squid, and sharks gives this deep dread of the ocean depths. The loss of such ships as the Titanic and the subsequent discoveries and explorations of it and so many ships that are vastly older make the sea seem to be a time-capsule. Things that are lost there may remain lost for centuries and upon rediscovery their contents can be profoundly fascinating.

If there is any creature on this planet that is as old as the planet, it would have to be contained in the sea. For the land and the mountains were flooded so that for a time the entire world was covered in water until the waters “subsided” that Noah could repopulate the earth. What a thought!

There are depths of the sea that have not yet been explored. It is in constant change, the life beneath it growing even as the ships it wrecks are overgrown with coral. I have an old book simply titled Buried Treasure that documents with text and photos the sea escapades of a treasure hunter. It is fascinating. One account was of a sunken portion of a medieval town. It was reported by the people living along that coast that the bell from the old church could still be heard to toll. Of course everyone else thought they were just making the story up, cast in superstition. The treasure hunter made a dive into the old town and found that entire buildings were still standing, in particular the old church. What everyone had thought to be a myth ended up as being proven right, for it turned out that when the ocean current changed the old bell would bong once again.

Another book I read related the facts and the fiction of old stories of giant sea serpents. There were sightings of those creatures and even one that was caught… and that was the inspiration behind the sea serpents in my fantasy novels.

In exploring the facts of the sea, one is able to expand upon the myths of the sea. In understanding what it is one fears about the sea, one is able to write more honestly about the power of the sea. In understanding how small we are in comparison to nature, one is humbled into acknowledging the power of the Creator. We are the created ones and when we acknowledge that insignificance our writing creativity is empowered.

Q: What aspect of nature both compels your imagination and terrifies you?

Ups and downs of the book publishing world

The first introduction I had to the world of Christian book publishing was at the Glorietta Christian Writers Conference in New Mexico. I was an eager unpublished writer with only a small following on my blog. I’d written some short stories and a few of them had been published in online magazines. The largest payment I’d received on my fiction writing was  (around) seven dollars. At that writers’ conference, I now know, I was about to step aboard the publishing roller coaster that alternates between building dreams and crushing them beneath its wheels.

Nothing will hold you through the publishing journey if you don’t have a love for writing in your soul. That must be engrained in your heart. We will fight to preserve something we love… But many people have a mere curiosity, a need for social esteem. They think “How cool would it be if I published a book?” Little do we realize a love of writing has to be in our blood because the emotional rollercoaster is going to shove our writing in the mud, and put our social life on hold.

Fortunately for me I didn’t enter the world of publishing with expectations of making a lot of money or achieving national fame. Reading and writing open the world to me and those around me. I love to write. Therefore I would write if only a few people cared to read my material. Why? Because it is worth the creative struggle to bring the world literature. By God’s blessing my books have now sold over 20,000-copies and I’ve been encouraged by each email and message I’ve received from new readers and avid fans.

The roller coaster has never stopped.

Back in 2007 I was sending new endorsements and swapping edits with the then-editor at AMG Publishers. For about two years it went back and forth, with hope of contract then the light at the end of the tunnel would dim again as someone on the publishing committee dismissed it. Eventually it was rejected.

All during the negotiation process I read and researched extensively on publishing and business. It led to my founding Flaming Pen Pres to release my first novel Swords of the Six.

To make this long story short, I went from self-published, to a contract with AMG for my first three novels, and published my last two novels under Flaming Pen Press.

In my experience working with the traditional publisher, while a thrill all its own, has been detrimental to my writing career. Do not misunderstand me, there are huge benefits also. But when I had my first novel under my own direction I knew I could keep it in circulation, keep it in front of readers, and build on its success.

Traditional publishing gave my work exposure to new markets. But looking back I realize that signing that first contract took my book out of circulation just when it was hitting a great level of success. I was forced to publish a collection of short fiction in order to appease readers who were begging for my second novel, which they couldn’t have until after the first was re-published by the publishing house.

Another challenge came when some buyers did not approve the cover art for my second novel. The publisher opted to get a different cover art and it didn’t fit the vision I had for the book originally. Again publication had to be delayed.

Sticking with growing my own publishing company would have all-but eliminated that roller coaster ride. Controlling your own business means growing it at a steady rate acceptable to you, controlling the quality and nature of your products.

Case in point are my novels Neverqueen and The Phantom’s Blade which I put under my own Flaming Pen Press. These titles look and feel how I want them to, read the way I want them to, and sales are steady and slowly growing.

With traditionally published titles marketing for them flows and then dies. Publishers move on and sometimes close down.

Moving forward I am looking to build Flaming Pen Press again and eventually publish other people’s books. Years ago I attempted to do so with Kestrel’s Midnight Song but I failed in a couple areas when making that business decision. The author worked hard, the book won an award, but having set up the book printing a more costly way we took a financial hit on returns.

What is awesome about that is that I own the company. We can learn from mistakes and evolve the business so that it makes financial and artistic sense. Books should be non-returnable so that retailers can’t carelessly order more than they need and ship back damaged product at the publisher’s expense.

A slow and steady growth in book writing, publishing, and marketing empowers the writer to establish trends, rather than following them. It’s one way of avoiding the industry’s roller coaster effect. It is not for everyone because not all writers want to learn the management of their own publishing company. But my compass points more certainly in that direction these last couple years.

Q: What hurdles have you faced in your writing?

Are sidekick characters necessary?

Merry and Pippin fumbling across Middle Earth. Donkey jabbering his way out of trouble with Shrek. Sidekicks abound in fiction. With their success has come an unwritten expectation that great fantasy (and fiction in general) requires sidekicks. Modern culture prizes comedians above serious thinkers, adding to the problem.

While we can relate to the reasons a sidekick can sometimes empower a story, there are also drawbacks we must recognize. Sidekicks provide an easy release of tension in emotionally uncomfortable or charged situations. Their primary function is (often) to provide comic relief in situations that the protagonists are sweating over.

What is the drawback to this? We need to be fully absorbed in the story’s moments, especially with their most uncomfortable moments of tension. We need to sweat with the protagonist, not have some other character insert a distracting jab that attempts to lighten the mood. Surely there is a time and place for that, but often the humor is better left out.

Story is a powerful conductor of thoughts, ideas that motivate, and convictions that make the reader want to change or improve themselves. Humor distracts, makes light of, and de-emphasizes truths that build good character. I have spoken before about not modeling ourselves after the villain… but it is also imperative that we not look to comedians and sidekicks as our role models. Humor is a gift to be used sparingly. Deep thought and consideration of how humble and small we are beneath God should be our focus. Meditation and reflection are more beneficial to our souls than the funniest jokes.

Sidekick characters have trouble taking things seriously. They see humor in every moment. They get so caught up in jesting that they are either slow to mature or miss the opportunity to mature altogether. There is great wisdom in keeping silence. There is vast spiritual reward in learning to think, live, and act in sobriety.  “Be sober, be vigilant, for your adversary the Devil walks about as a roaring lion seeking whom he may devour.” (quote from 1 Peter 5:8 The Bible).

It is easier to be foolish than it is to be sober. It is easy to jest especially when it has become the cultural norm. When I look back at some of the great fiction I loved I realize they did not use sidekick characters. Pilgrim’s Progress, Robinson Crusoe, etc.

I do believe sidekick characters serve necessary purposes in some stories, but I do think they are overused. The focus of story most often should be a sober consideration so that we can benefit from the tale we read. The trick when writing in sidekick characters is to not think of them as sidekicks. Let the story guide the character’s evolution so that you (the writer) begin to know their personality. As your understanding of the character deepens you may find opportunity to throw in a little humor, but the beauty of humor is in its spontaneity. Therefore let the sidekick characters be spontaneous and do not drown their story segments in predictable foolishness.

Humor is a gift from God, if used wisely. But used frequently it creates endless foolishness and leads to spiritual decay.

Q: How do you view sidekicks in fiction?

 

Focusing on reaching Christian readers

Thank you to all who participated in my 2016 Reader Survey! I learned some valuable things that have helped me make some important decisions for moving forward with my website and writing. Finally I have enough data to move forward knowing who is being blessed and responding best to my writing. Before I get into the fun stuff (for the changes I’m instituting for this year) let me share with you some of the survey results:

The vast majority of my readers are devout Christian singles under 26-years-old. They are most interested in getting more novels in The Sword of the Dragon series (including the Neverqueen saga). On my blog they prefer to read about Reinforcing Christian Values through Writing Fiction.

Writing a weekly post for my blog has become all-consuming of my writing time of late, especially with my other commitments. To be candid I am writing far too little fiction and making far too little progress in continuing the novels and stories you all have asked me for. So to free up my creativity I am going to assign my blog posts to the first Monday of each month, no longer putting out a weekly article. Every now and then I plan to throw in an extra writing tip or glimpse into what I am writing. This will allow me to focus on the best content for the website but also to focus on the fiction writing.

I am spread too thin and my energies have been less effective as a result. It is my hope that this will empower my writing to get back on track with the fiction writing, putting my mind back in the story creation process. I have so many good stories to tell and I so badly want to finish writing them. But all in good time!

The second change I am making is a big one for me. My novels have had broad market appeal, reaching people from many different political and religious persuasions. But the people who disagreed with my stances prove time and again that I cannot “straddle the fence” so to speak. Some who despise my Christian values have gone so far as to attack by calling me names or reaching assumptions that were not true. I know in Whom I have believed and I believe He is able to bring all to a knowledge of repentance and that all must repent of sin and turn to God. This message resonates with the readers who are my kindred spirits and I fully intend that my focus will now be on writing chiefly as a Christian author. Christian readers most appreciate where I am coming from, they know me best. They rally behind the right things and call out the things that are wrong.

We are in a spiritual battle, and the way I am gifted to fight the spiritual is to lead hearts and minds through powerful writing that convicts, uplifts, and strengthens the faithful as I grow in my walk with the Lord. It is time to narrow my focus to the Christian readership because there my writing is having the right impact on people’s lives. Please pray for me as I move forward with these changes. Some will not be happy with my decision, but I know that ultimately God will bless it.

Q: How does your faith impact your creative pursuits?

eBooks and increased literacy

Buying a new iPhone that actually has a decent screen-size and far better memory reminded me of why I love ebooks. Kindle and iBooks are now more readily available to me (because I can’t have my iPad at work) and for a working father of four the ability to snatch bits of reading time when and where I can is invaluable.

Now I imagine you are a little surprised to hear me say that because I so often celebrate print books and decry the negative aspects of reading in the digital age. But though I am an ardent fan of collecting books in print I do recognize that ebooks are a wonderful opportunity for both writers and readers.

The benefits, I believe, are best summarized in one word: Accessibility. Accessibility is the key to literacy.

For writers: it is now incredibly simple to take your finished book and upload it to Amazon’s Kindle platform. It is an unprecedented means of delivering more content with more consistency, in a short span of time.

For readers: eBooks are instantly downloadable, most often cheaper to purchase, and offer out-of-print works that are often difficult to find in paperback. My wife has acquired many books free through Kindle and I have found some great bargains as well.

I have a collection of tiny books, most of them around a hundred years old. They are titled The Workman’s Library. No more than a few inches in width and height these books were designed to fit in the lunchbox or pocket of an average working citizen so that, in the previous few moments he had to spare, he could read Dante’s Inferno, Shakespeare, or Sherlock Holmes mysteries.

Digital books today are the equivalent of those tiny paperbacks. They can be brought anywhere, read in sweet snippets… But eBooks are superior. Within the palm of my hand I hold hundreds of books all accessible in an instant.

While I still prefer print books, eBooks are a wonderful asset to me both as a writer and as a reader.

Q: What are your thoughts on the advantages of eBooks?

Refusing the Villain

A villain is not someone to look up to,
They should not be.
A villain chooses evil over good,
They choose a damnable fate for their soul.

Faces for the reader to remember,
Visions for them to interpret.
A villain is the worst among humanity,
Yet we see them extolled by viewers and readers.

A story needs to communicate to the reader,
It needs to reinforce the proper values.
The villain should remain the villain,
Unless a different path they choose.

Redemption is the answer,
The only answer.
Repentance is the only gate,
And it is a difficult one to open.

Consider well the path of a villain,
Do not glory in his destruction.
The toll his acts take on those around him,
Most importantly the consequences.

Know your soul,
Understand what you aspire to be.
Know your enemy,
Do not look to glory in the villain.

Refuse the villain and learn from his errors,
Rising in honor and glory.
Where he fell in pride,
Look to rise in humility.

Villains are to be condemned,
Their story a blight on the journey.
Villains will never rise again,
Ultimately their path leads to death.

Q: Do you see villains despised or glorified in contemporary fiction and films?

When books were shorter and excellent

A few years back I approached my publisher with a proposed new fantasy series that would tie in with the previous one I wrote for them. They turned it down. Not because it wasn’t the type of story that they liked but because the manuscript did not exceed their minimum word-count requirement. That book was Neverqueen and I subsequently released that title through my own company. The word-count guidelines are something that I totally understand publishers need to have guidelines on, but what I find interesting is that seventy years ago shorter books rocked the publishing world.

Two prime examples of short works of fiction are a couple of my absolute favorite titles: The Time Machine and The Wizard of Oz. Other examples would be several of the Chronicles of Narnia titles. There’s an old saying that bears bringing back to life: “Short but sweet.”

I would like to make the argument that shorter works are needed. In fact, there is a nearly untapped market of readers out there who love to read but have very little time for pleasure reading. High school and college students are immersed in homework and textbooks. And fathers and mothers of young kids are swamped with work, life, and all that it entails. Picking up a four hundred page novel is not practical for them. But if they could find some shorter reads that were nevertheless just as fascinating as the longer works, I bet they would pick them up.

Neverqueen was my first test of this theory and it has proven to be accurate. Readers are snapping that book up and their responses have been overwhelmingly positive.

Years ago when I established Flaming Pen Press I intended to release an entire line of fantasy and science fiction novellas, mostly from new authors. But unfortunately we suffered a major financial setback and everything had to be scrapped. But I have not lost that vision. In fact, I have been plotting bringing back Flaming Pen Press with a line of new titles. There are details still to work out, but what I’d like to do is release the next line of short books that will capture the imagination just as The Time Machine and The Wizard of Oz did for me. Currently I know of only one publisher that is successfully doing this (TOR) and I am pleased to see the result is positive for them as well.

Q: What do you think of novellas?

The New Fantasy Beast

Innovative fantasy creatures are born from strange ideas. In my writing experience it is easy to invent creatures. But it is not enough to create new creatures, they must be memorable in their uniqueness. They must be believable in their physical and behavioral traits. …Such a creature is the Cat Beast.

Some of the creatures I created for The Sword of the Dragon series were more successful than others. The most popular so far have been the Megatraths. Six-legged monsters of an ancient lineage that has been lost to legend. Offspring introduced these beasts with a cruel Megatrath whose consideration of humanoids was that they were little more than playthings for his cruel amusement. Then we trekked into the desert homeland of the creatures and met Vectra, matriarch of the Megatraths. The Megatraths are neither cruel nor thoughtless. Cunning, yes. Of great physical strength, definitely. Breathing fire, exhaling poisonous vapors.

In the Neverqueen Saga I wanted to introduce a new beast that would hold us with a similar fascination as the megatraths. This may be same storyworld as the primary books in The Sword of the Dragon series, but here I wanted something that would personify the different sort of stories these books will tell. Neverqueen is more about finesse and beauty that hides souls in pain. It may sound a bit strange, but Hey! let me apologize. This is the writer’s mind.

What creature is more subtle than a cat? More resilient than a mountain ram? What sort of beast would rival a dragon in a fight even if it possessed no scales and could not breath fire?

The Cat Beasts are rarely seen. Possessing the strength of a dragon and near a dragon’s size, but often rivaling a dragon’s intelligence. They seem to be all but extinct. A couple are known to remain of the species… until the events of Neverqueen2. But there is one more truth that could determine our perception of them: they serve the wizard, Turser.

Such beautiful creatures. Yet such a pallor of uncertainty and fear surrounds them.

Q: What type of beast most fascinates you?