When stories understand their audience

Expectations. We are people of expectations whether we want to admit it or not. When we go to read a book or watch a movie we have an expectation of the story that must be made if we are going to positively reinforce it to people that we know.

When I started off my writing career I did my best to craft a story that would resonate with a broader audience. But truth be told I didn’t understand how to do that, and now I understand that you should not do that. The story doesn’t necessarily need to be divisive but it should be thought-provoking and challenging to folks of a different world view.

Someone who picks up a harlequin romance is going to have a different expectation than one who is looking for a Christian Amish romance. On the one hand a conservative reader might appreciate the lack of physical description and sexuality in an Amish romance. But on the other hand another reader might have an expectation of realism. To them the Amish romance is rediculously tame, to the point that they find it unrealistic and cannot enjoy the story.

Reader expectation is everything.

For those of you who have watched the first Maze Runner movie, you will appreciate what I’m about to say. If you thought that it was a dystopian along the lines of the Hunger Games, as I did, then when movie two came out you were severely disappointed when it turned into a zombie apocalypse. Your expectations were let down and you felt deceived.

Amidst the muck of politically-charged media-driven fiction, a few stories highlight what’s beautiful.

When I say muck, I am referring to that moment when I was watching a show with my kids, in this particular case it was the show Voltron, when the last episode introduced a gay couple wedding. I am referring to the Netflix original series the dragon prince, which had a great story going for it but in the second season decided to introduce a prominent lesbian couple. In the absence of strong traditional male-female romantic interests these pointedly emphasized relationships reek of political correctness. Thankfully there have also been some examples recently of stories that do themselves service by understanding their audience and delivering a story that their audience loves because it resonates with their values.

As a parent, I find it increasingly frustrating when I cannot simply enjoy the show without worrying that a politically charged message is going to be thrown in my kids’ faces.

This post is not a rant. It is not even a disparagement to those types of stories that I find offensive to my kids. Although I will note that my kids were the first to find it confusing and offensive because it went against their very nature. It is interesting that in the simple thinking of children is often found the greatest truth.

As a writer I have often struggled to understand my own audience. Even now as I am re-writing my first novel I have struggled with some elements of the story that could’ve been crafted in a mature fashion, but instead I wrote in a simplistic way so as not to offend certain readers. I have experimented with re-writing some of those sections of the story in a more adult manner, and in some respects the story is far better for it. But I will let the readers be the judge. My job is to make people think without breaking down their sense of morality. If my stories are successful than they encourage my readers in the ideals that they strive to live out.

I think that the recent Toy Story 4 was a fantastic example of a creative team who understood their audience. I saw an interview on the BBC where someone was complaining about the “lack of diversity” in the characters. Her complaint was laughable really, because it centers around a bunch of toys! But I found it interesting that she complained about one toy that didn’t seem as strong to the feminist perspective. In my opinion that element of the story was what made the film as great as it was. And you know what? My kids absolutely loved it.

When a creative team understands the audience that they are appealing to, then the story resonates and impacts the audience’s soul. If, instead, the creative team seeks to placate a critic, then the story loses its punch.

I am fascinated by this. The closer we get to strongly-set morals, and the closer we get to a familiarity in the story that challenges us and makes us stronger or encourages us, the more impact that story has on us.

For some people that set of morals is going to look entirely different than it does for another audience. But that’s okay. Not all stories are made for all people. Neither should they be.

Controversy generates hype. Similarities create relationships. Relationships are built on trust, and relationships only grow deeper the longer they last.

Q: What expectations have you recently enjoyed or found disappointing?

A foreign film showcases great storytelling

The best movies are backed by strong writing but some of the biggest productions have failed in this regard. Recently I discovered a little-known fantasy movie titled I am Dragon that surprised me with its straight-forward story, great acting, top-notch special effects, and satisfying conclusion. A good movie can instruct us on how to become better storytellers by reminding us to ask the right questions and deliver the right message. I am Dragon reminded me of what makes a great story.

Are you tired of movies that rely on action scenes to keep your interest? I am. Though I do appreciate action when it is applied properly, the heart of a story is never the battles, it is the soul of the characters and the arc of mystery, intrigue, or romance that they are following. You could say that the drama is the most important aspect of any good story. It grabs your attention and holds you through to the end because it gives you human elements that you can relate to. You may not understand what it is like to fight in a war, or touch a majestic beast, or be wounded in battle. But you probably do understand what its like to fall for a beautiful woman, or lose one you love, to struggle financially, or to battle physical illness or handicap.

When writing a fantasy story, ask yourself what is at the story’s heart. What elements can people relate to? What parts of the story will they aspire to live out? Everyone wants to be a hero or heroine. We all want to be loved, respected.

Much of the writing that I see in fantasy today is DARK. Dark in its mood, dark in its presentation of humanity’s flaws, dark in its outcome. What happened to HOPE? This is something essential to good storytelling. Imagine if God’s story through the gospel was to send Jesus Christ to Earth only to destroy everyone. Imagine if vanquishing Sauron’s evil in The Lord of the Rings did not return peace to Middle Earth. Picture Star Wars without a new hope, where Vader is never redeemed.

Every story that stands out in my mind has a beautiful end, an end that includes hope and, often, restoration.

I am Dragon is a Russian film production that seems to have received very little attention. The premise is, as some might say, deceivingly simple. Young brides were long offered in sacrifice to dragons until a dragon-slayer arose to free them from the beast’s reign of terror. But the slayer’s grandson uses the dragon-summoning song during his betrothal and the bride is taken by another dragon. What follows is a fantasy tale of legend and romance. This movie has the best dragon that I have ever seen on screen. Though I still love Peter Jackson’s version of Smaug, the dragon in I am Dragon is more relatable in its size and design. The facial expressions it achieves are stupendous!

What makes this movie special is its reliance on a simple story backed by minimal cast and gorgeous scenery. The story opens with dark themes, even dark cinematography. Then a shift takes place and brighter themes and scenery bring elation to the viewer.

As writers, we would do well to study the story in this film.

Q: Do you prefer dark stories, or stories of hope?

Flaming Pen Press‘s newest fantasy book release is also a story of hope. Check out Neverqueen 2.

The wizard wanted a male heir, but when he saw that the boy born to him was malformed he determined to kill him. Born into a life of cruelty, Valor could easily have fallen into his father’s darkness. Instead he set out to undo the wizard’s madness by covering those around him with the Creator’s compassion and light. The prophets are at work in the shadows, bringing forward the Neverqueen as the next prophetess whose reign will bring hope to the people of Paradon, and to her own people by the Eiderveis River. Her mysterious interactions and judgements will settle a caution and a terror in the hearts of the sorcerers and others who ignore her warnings. Unlikely alliances are formed in this story of hope that rises through adverse circumstances.

Why passion drives better stories (as Star Wars: The Force Awakens)

There is a vast difference between a storyteller who is passionate for the story they are telling, and a writer who is simply creating something of interest to them. The case seems to be aptly demonstrated with J.J. Abrams who is famous for rebooting film franchises. Not long ago he recreated Star Trek and recently his Star Wars: The Force Awakens hit theaters with a thunderous response from critics and viewers. After watching the film myself I realized that the love of the story made a huge difference here.

Long-time Star Trek fans, almost as a whole, did not care for and some even despised Abrams’ remake. Vulcans lost their emotional control to a level not hereto seen, big bad villains ruled the screen, and action packed the screen time instead of relationships and good ol’ theoretical science. Transformers had met Star Trek. Many people speculated that the cause of this failure to catch the loyalty of long-time Trek fans was due to Abrams’ personal admittance that he was never a Trek fan himself. In addition to that it turned out that much of the cast had not even watched Star Trek, with the exception being Karl Urban who beautifully embodied the beloved Leonard McCoy also affectionately called “Bones.” Urban was himself a Trek fan and it showed in his part. The consequence was a movie that did not leave die hard Trek fans thrilled, instead it left them asking for a return to the old style of storytelling. The fans’ passion for the Star Trek universe has now successfully launched a rather impressive series called Renegades and other fan-funded projects are well on their way to success as well.

The point in all of this is that good storytelling requires a passion for the material.

As a long-time Star Wars fan Abrams’ approach to The Force Awakens has paid off. Rather than changing everything that we know and love about the Star Wars universe he has taken the look, feel, and the light and the dark again into familiar territory. While there was much good action throughout The Force Awakens, it never feels forced but rather melds with the drama each character is experiencing. Old characters are treated like old friends, with numerous hat-tipping to the original Star Wars trilogy. Quite unexpectedly (even though Disney officially declared the Expanded Universe of novels and video games irrelevant to this movie) there were several blatant steals from the EU… and they were good ones. They pulled a few choice elements that I was hoping to see carried into the new movies, though they did change it up a bit.

Writers need to be passionate for the stories they are creating, otherwise the effort leaves no lasting impact. Abrams demonstrated with this film that he truly is passionate for the Star Wars universe. What a difference it makes when a creative individual works at something because they love it!

Q: How do you see passion driving better storytelling?

Noah: the movie… Is this Noah or not?

Noah, the movie. Have you watched it? I saw it for the first time because it popped up on Netflix. Disappointing would be an understatement of my feelings regarding this film. Warning: I’m going to discuss major spoilers because it’s necessary to the evaluation.

It seems that Hollywood took this opportunity to completely reimagine the historical story. I’m (almost) at a loss for words because this film was so bad.

It would be easier to imagine that this is not supposed to be the Biblical story but rather a straight up work of fiction. It is a poor story, over-dramatized, unbelievable, mystical, and bad character development. Here are some reasons I think this is the worst film I’ve seen in a long time:

  1. The fallen angels only fell to earth because they wanted to aid mankind. In punishment the Creator encrusts them in stone. What?! Yes, you heard right. Instead of going with the fact that there was war in heaven and God cast out the angels who joined with Lucifer, now the angels are the good guys who tenderly long to be re-admitted to paradise.
  2. Noah loves the creation and believes that God wants mankind wiped off the face of the earth. Whereas in the Biblical account God commanded them to go forth and multiply and replenish the Earth.
  3. There were seven who rode the ark… It was Noah, his wife, his three sons, one wife for one son, and of course (Hollywood’s favorite addition) a stowaway. It felt like an excuse to let Russell Crowe land punches in a death-match aboard the ark. Besides this, Ham actually found a girl but Noah purposefully leaves her behind to die. Oh, and he left Methuselah behind to die as well.
  4. Noah details for everyone aboard the ark how they are to make sure they die as the last of humanity, because the new world is not for them but for the creatures.

This is a terrible film. I was laughing at several points because it just carried everything so far overboard (pun intended). When a story is drafted from well-known source material it needs to come close to that material, otherwise it need not credit the source material. Noah has this problem to a degree I’ve not seen before.

The movie is also plumb full of plot holes. Here is a laughable example:

At the end of the film Noah is rather depressed (as he is throughout the entire film). His sons and wife have begun to build new homes for themselves. As they are building he picks grapes and makes himself wine. He gets himself drunk and naked in a cave. See the problem? They just got out of the ark and, in order to make wine, grapes have to ferment. Not gonna happen if you just crush them into a cup. That’s called grape juice and you can drink a lot of it without any problems. Trust me, I’m living proof!

My conclusion then: If you want to waste a couple of hours watching a heartless story with pointless drama that you can poke fun at, try Noah! It won’t disappoint you.

Question: Have you watched Noah?

How Star Wars impacted my thinking on stories

I was probably around nine years old. I remember sitting in my grandfather’s living room, my eyes glued to his television. He had an extensive collection of VHS tapes and he was fond of science fiction. That day he played Star Wars: A New Hope… and with a few swings of his lightsaber Alec Guiness convinced me that Ben Kenobi was the coolest sort of hero.

Yep, I’ve been a fan ever since! I love looking back at that moment when I saw Star Wars for the first time. I can recapture that sense of amazement experienced only in that first moment of discovery. I already loved stories. I read extensively and wrote quite a few of my own fictional pieces, yet up to that point I think space opera and fantasy had not entered my realm of creative thinking. My first brush with anything close to it had been Pilgrim’s Progress, an allegory of the Christian life that feels fantasy-ish.

In Star Wars I recognized the value of different strong personalities in story. Han Solo of course would not let anything water down his swashbuckling attitude. He opposed everyone on his team and loved everyone at the same time. Ben Kenobi took every perilous encounter in sober stride, wisely weighing the consequences of his actions and of those around him. He was feeble yet in his eyes was a playful, indomitable will. He would not be denied. Even R2D2 and C3PO possessed unique personalities that made them generationally memorable.

To my young mind these characters were the catalyst for an amazing array of story possibilities. I remember staying up late at night telling my own Star Wars spinoff stories to my brother and sister. In childish fun these spinoffs often degenerated into silliness. (I remember one particular tale where Princess Leia met up with Emperor Palpatine and turned her own powers on him, thoroughly decimating him).

Looking back I realize that all of those silly spinoffs were the continued growth of my creativity.

Star Wars stories helped me realize that storytelling has no limits except those that we place upon it. What you imagine, you can create. What you fear, you can face. What you aspire to be, you can become. Strange places that don’t even exist, you can visit.

The imagination is limitless and its power is exploration to reveal to us the elements of story that matter to us. The elements of story that define the choices we make. The characters whose interactions help us understand how we want to interact with people in real life. The characters that help us understand why we find certain people more interesting than others.

Q: How did the stories you enjoyed as a child impact the person you are today?

 

How we create Tomorrowland today

While watching the new Disney film Tomorrowland I found myself relating to its overriding theme: Negative thinking steers our world toward a negative outcome. Positive thinking steers us toward positive results. I found myself asking, “What kind of a future world do I want to create?”

Doom and gloom. The news is full of it, and people gobble it up.

I have collected most of the old Disney family films and one I really appreciate is Pollyanna. Based off of the book, this is the tale of an orphan girl who shares her message of positivity with the negative townsfolk. In my favorite scene of the movie she reads to the pastor from the quote on a locket that her father gave to her.

“If you look for the bad in mankind, expecting to find it, you surely will.” -Abraham Lincoln

In the movie Tomorrowland we explore the future that is created by our negative thinking. But what interested me most was considering the kind of future we can have if we approach things from a positive outlook.

If we look back through history there have been times of great darkness that only ended because a few brave souls stood against it. They chose to think positively and imagine creatively. Christian martyrs did not let intense persecution stifle their message, the message of Christ that created western society as we know it. Inventors like Tesla did not let negativity or adversity stop them in their ingenuity. The founding fathers of the United States did not let a tyrant or the cost of liberty stop them from proudly touting that message of a nation under God with liberty and justice for all.

For my part I want to return to the positive outlook. The world I see is cars flying instead of driving. Solar and wind-powered cities… More than this, let’s look beyond the technology and anticipate a society that fears and worships God. Where the young and the old care for each other. A return to the values that made this country great.

We are living in the Future our American ancestors Envisioned. Dreams become reality.

Q: What future do you envision?

Cinderella: a true heroine

My wife made the suggestion that she take our 3-year-old daughter to see Disney’s remake of Cinderella. Inevitably it ended up being a family trip. The local theatre in town has a Tuesday all-day special price that we’ve taken advantage of before. Coming into this film having already loved Maleficent, I was curious if Disney could succeed in turning another classic cartoon into a worthy live-action film.

Cinderella’s character is honorable in this story and, I think, extremely likeable as well. The supporting cast of actors and actresses filled their roles almost seamlessly. The one exception, I felt, was the fairy godmother. Same actress as the Queen of Hearts in Disney’s live-action Alice in Wonderland. Her personality was so strong that it jerked me out of the fairytale, albeit for only a few moments. Even then I can barely complain as she did play her part well.

So, did Disney succeed in reviving the old classic? I think they did. The overarching theme of love and forgiveness at all costs is a noble part of this story.

Disney seemed to steer away from incorporating non-traditional-family-values into the film. The only point I found a bit “preachy” was how Cinderella convinced the hunter to let the stag get away. All of the big film studios seem bent on convincing us that the life of man is of equal value to that of the beasts and creatures of this world. It is not.

God made the beasts for man, and sacrificed beasts for man. Yes, we need to value the lives of the creatures in this world. Life is a precious gift that is too often taken lightly. Perhaps this is Cinderella’s intent. Perhaps merely a reminder that we are so absorbed in ourselves that we devalue the creation around us.

Cinderella takes us to the heart of God’s love (though God is not mentioned in this story) by offering us a noble heroine who rises above the scum around her to be a truly good person. I think the greatest message behind this movie is that a great hero or heroine rises above their circumstances to do the right thing… no matter what the cost. We need more fiction exemplifying these values.

Question: What was your impression of Cinderella?