Why passion drives better stories (as Star Wars: The Force Awakens)

AuthorAppleton on December 28, 2015

There is a vast difference between a storyteller who is passionate for the story they are telling, and a writer who is simply creating something of interest to them. The case seems to be aptly demonstrated with J.J. Abrams who is famous for rebooting film franchises. Not long ago he recreated Star Trek and recently his Star Wars: The Force Awakens hit theaters with a thunderous response from critics and viewers. After watching the film myself I realized that the love of the story made a huge difference here.

Long-time Star Trek fans, almost as a whole, did not care for and some even despised Abrams’ remake. Vulcans lost their emotional control to a level not hereto seen, big bad villains ruled the screen, and action packed the screen time instead of relationships and good ol’ theoretical science. Transformers had met Star Trek. Many people speculated that the cause of this failure to catch the loyalty of long-time Trek fans was due to Abrams’ personal admittance that he was never a Trek fan himself. In addition to that it turned out that much of the cast had not even watched Star Trek, with the exception being Karl Urban who beautifully embodied the beloved Leonard McCoy also affectionately called “Bones.” Urban was himself a Trek fan and it showed in his part. The consequence was a movie that did not leave die hard Trek fans thrilled, instead it left them asking for a return to the old style of storytelling. The fans’ passion for the Star Trek universe has now successfully launched a rather impressive series called Renegades and other fan-funded projects are well on their way to success as well.

The point in all of this is that good storytelling requires a passion for the material.

As a long-time Star Wars fan Abrams’ approach to The Force Awakens has paid off. Rather than changing everything that we know and love about the Star Wars universe he has taken the look, feel, and the light and the dark again into familiar territory. While there was much good action throughout The Force Awakens, it never feels forced but rather melds with the drama each character is experiencing. Old characters are treated like old friends, with numerous hat-tipping to the original Star Wars trilogy. Quite unexpectedly (even though Disney officially declared the Expanded Universe of novels and video games irrelevant to this movie) there were several blatant steals from the EU… and they were good ones. They pulled a few choice elements that I was hoping to see carried into the new movies, though they did change it up a bit.

Writers need to be passionate for the stories they are creating, otherwise the effort leaves no lasting impact. Abrams demonstrated with this film that he truly is passionate for the Star Wars universe. What a difference it makes when a creative individual works at something because they love it!

Q: How do you see passion driving better storytelling?

How to Create Memorable Villains

AuthorAppleton on July 13, 2015

Most good stories that stand out in my mind as extremely memorable involve an extraordinary villain. One of my favorite films is The Black Hole, an old Disney science-fiction film. All of the characters in that movie are dramatic actors and the villain (as played by Maximilian Schell) is extremely memorable. He is a brilliant scientist and brooding. Every moment on screen he manages to drive deeper into your mind the threat he poses.

I remember when I was a kid sitting at my grandfather’s house and watching Star Wars: A New Hope for the first time (back then it was on VHS tape). The duel between Vader and Ben Kenobi fixated my attention like nothing else. I was intrigued. Who was this Vader? Why had he changed into a “master of evil” as Kenobi put it? These questions are the type that any good villain will raise in the mind of a book reader or a movie viewer.

Often a fiction writer focuses on finding ways to make the reader relate to the hero in the story. They show the character’s weaknesses and show how he/she overcame them in order to mature into the protagonist you’ll love. But too often the antagonist is a “cookie cutter villain.”

In the Harry Potter books Voldemort was glimpsed from his youth and shown as a ruthless man. In Tolkien’s The Silmarillion Melkor was revealed as being a corrupter of all good things… My point? There are many ways to approach villain creation as long as you take the time to develop that villain’s history.

When approaching the villains in my stories I try to remember that the characters’ histories will enable the reader to care about what happens to them. For example, when I wrote the opening for Swords of the Six I had to make the reader care about the villains so that they would want those villains to pay for their crimes, but I wanted the reader to be intrigued and ask questions as to why and how the villains had become the characters seen in the story.

It is imperative that you ask yourself:

  1. What kind of childhood did this villain have? An orphan, an only child, or one of many children. A happy home or a depressed one. All of these considerations make us care about the villain even if we are rooting for their destruction.
  2. Who mentored this villain, or whom do they look up to? Parents or the lack thereof and the mentors they look up to will shape the person you become. Understand how your villain thinks by understanding what mindset those around him have encouraged.
  3. What motivates them in their villainous deeds? Often the motivation is power, yet the quest for supremacy is not motivation enough. There is an ideology behind each villain and reasons that they have forsaken a moral code. Know what motivates them and you will understand how they can change through the story in their encounters with other characters.

In The Black Hole the villain is an insane but genius scientist. He is both indispensable to the protagonists and at the same time they cannot allow him to continue.

In writing a villain we need to understand the personality’s impact on the fictional world and also what drives that personality. Adding depth to the character enables greater risk and greater reward when said villain is defeated or converted. Creating memorable villains is hard, but oh so worth it! In Swords of the Six I had the opportunity to show several types of villains, each with different motives, and the result was a story that leaves me the writer eager to explore the villains in depth and be more creative in determining their demises.

Q: Which villains stand out to you and why? 

How we create Tomorrowland today

AuthorAppleton on June 1, 2015

While watching the new Disney film Tomorrowland I found myself relating to its overriding theme: Negative thinking steers our world toward a negative outcome. Positive thinking steers us toward positive results. I found myself asking, “What kind of a future world do I want to create?”

Doom and gloom. The news is full of it, and people gobble it up.

I have collected most of the old Disney family films and one I really appreciate is Pollyanna. Based off of the book, this is the tale of an orphan girl who shares her message of positivity with the negative townsfolk. In my favorite scene of the movie she reads to the pastor from the quote on a locket that her father gave to her.

“If you look for the bad in mankind, expecting to find it, you surely will.” -Abraham Lincoln

In the movie Tomorrowland we explore the future that is created by our negative thinking. But what interested me most was considering the kind of future we can have if we approach things from a positive outlook.

If we look back through history there have been times of great darkness that only ended because a few brave souls stood against it. They chose to think positively and imagine creatively. Christian martyrs did not let intense persecution stifle their message, the message of Christ that created western society as we know it. Inventors like Tesla did not let negativity or adversity stop them in their ingenuity. The founding fathers of the United States did not let a tyrant or the cost of liberty stop them from proudly touting that message of a nation under God with liberty and justice for all.

For my part I want to return to the positive outlook. The world I see is cars flying instead of driving. Solar and wind-powered cities… More than this, let’s look beyond the technology and anticipate a society that fears and worships God. Where the young and the old care for each other. A return to the values that made this country great.

We are living in the Future our American ancestors Envisioned. Dreams become reality.

Q: What future do you envision?

Cinderella: a true heroine

AuthorAppleton on April 6, 2015

My wife made the suggestion that she take our 3-year-old daughter to see Disney’s remake of Cinderella. Inevitably it ended up being a family trip. The local theatre in town has a Tuesday all-day special price that we’ve taken advantage of before. Coming into this film having already loved Maleficent, I was curious if Disney could succeed in turning another classic cartoon into a worthy live-action film.

Cinderella’s character is honorable in this story and, I think, extremely likeable as well. The supporting cast of actors and actresses filled their roles almost seamlessly. The one exception, I felt, was the fairy godmother. Same actress as the Queen of Hearts in Disney’s live-action Alice in Wonderland. Her personality was so strong that it jerked me out of the fairytale, albeit for only a few moments. Even then I can barely complain as she did play her part well.

So, did Disney succeed in reviving the old classic? I think they did. The overarching theme of love and forgiveness at all costs is a noble part of this story.

Disney seemed to steer away from incorporating non-traditional-family-values into the film. The only point I found a bit “preachy” was how Cinderella convinced the hunter to let the stag get away. All of the big film studios seem bent on convincing us that the life of man is of equal value to that of the beasts and creatures of this world. It is not.

God made the beasts for man, and sacrificed beasts for man. Yes, we need to value the lives of the creatures in this world. Life is a precious gift that is too often taken lightly. Perhaps this is Cinderella’s intent. Perhaps merely a reminder that we are so absorbed in ourselves that we devalue the creation around us.

Cinderella takes us to the heart of God’s love (though God is not mentioned in this story) by offering us a noble heroine who rises above the scum around her to be a truly good person. I think the greatest message behind this movie is that a great hero or heroine rises above their circumstances to do the right thing… no matter what the cost. We need more fiction exemplifying these values.

Question: What was your impression of Cinderella?

Should any character be both villain and hero?

AuthorAppleton on December 22, 2014

Interesting things are happening in speculative fiction. New ideas are coming out and they must be analyzed to determine the validity of their argument. Today’s question: Can a fictional character be both hero and villain?

In the past I have not taken this concept seriously, but a couple of recent examples in film have made me consider this again and consider how to use this in my writing. The best example I have seen of this is in Disney’s Maleficent. Other stories have tried but most fail.

(Warning: the following material will give plot spoilers from the movie.) In Maleficent we find a startling re-imagining of Sleeping Beauty. Maleficent is not a witch. She is a fairy. A human-size fairy but a fairy nonetheless. She is pure in her heart and that purity is taken advantage of by a greedy lad who steals first her heart and later her wings. What follows is Maleficent’s transformation into a vindictive creature who places the infamous curse on Aurora. Yet Maleficent is fated it seems to watch Aurora grow up, and she, like the lonesome creature she is, ends up fully vesting herself in Aurora’s future. The ultimate and fantastic conclusion to this is that the villain seeks to undo her own curse, even throwing her life on the line to selflessly protect an innocent life.

I have seen a similar concept attempted before when Marvel showed the progression of Magneto from lone wolf to repentant ally. But Magneto’s story did not leave me fully convinced that he was ever truly a hero. Left to his own devices again (and without an enemy common to him and Professor Xavier) Magneto, I have no doubt, would fall into other dark paths.

Can a character be both hero and villain? I think so. Under the right circumstances.

If we look historically we can find some interesting examples of this. An obvious example is Saul who was blinded on the road to Damascus and thereafter was called Paul. He went from persecutor of the church of Christ to one of its most prominent leaders. A leader of the faithful and a godly man. But that sort of shift, the change from villain to hero, is made in the change of a heart. Radical conversion is one example of this, and another avenue for this shift is if the individual in question is like Maleficent. She began as a child, then her heart hardened, but another child softened it.

Question: When do you think it is ok for a villain to become the hero in fiction?