Author Appleton

Writing. Fantasy. Sci-fi. Mystery

fiction

Pondering: futility of godless stories

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Ponder with me the shallowness of stories that omit any divine purpose. Any intervention or God-given purpose. As writers creating fictional realms we have the opportunity to omit God… or do we?

A story I moderately enjoy centers around a Buddhist monk who is on a quest to find the equivalent of the chosen one. The chosen one must have certain qualities and the monk seeks out a man with those qualities. In his quest he relies heavily on a prophecy that gives him signs he can follow so that he will know for certain he has found the one. There is never a mention of divine intervention. The story as a whole is devoid of God and in this missing element it becomes shallow.

It makes no sense for there to be a prophecy unless there was One to inspire the prophecy. And it is contradictory to choose one man based on moral qualities and yet ignore where those moral qualities come from.

Is it not interesting? While purporting high moral standards, secular stories miss the all-important question, which is, that if there is a moral law then Who gave that law. And if there is no Divine giver of moral law then morals are dictated by mankind. And if mankind dictates morals then he is not responsible to a higher power, and without that responsibility mankind is free to follow their own moral codes. One person may say that a thing is wrong while another will say that it is right. Who is to say which is which? They are both men. They are both fallible. More importantly there is no Judge to hold them to a standard of morality.

You cannot have moral law without a Lawgiver, and the same law loses its power if you deny the existence of the One who established and enforced those laws. In truth there would be no solid consequences to immoral actions because no one could say that the law was any better than the lawbreaker’s moral opinion.

Q: Do you ponder the necessity of God in stories?

 

How nameless characters enhance story

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Nameless characters. They may seem useless to the writer and to the reader but in many respects they are key to enhancing a great fiction story. Consider how many nameless characters populate the books you read and the movies you watch. Nameless characters play well into plot development and world building.

When I am writing a story I take into consideration the environment I am throwing my main characters into. What are the sights, the sounds, the smells. I want to engage the senses so that the reader experiences the story in a profound way. But a great part of creating the environment is the establishment of nameless characters.

Let’s use the example of John, a character who is feeling lost. If you want to convey that John is starting to feel panicky you could throw in a nameless character. Crowds are milling about, heading down the busy sidewalks. Someone bumps into John. He reaches down and finds his wallet is now missing. He franticly searches the sea of faces for the pickpocket but instead his gaze is arrested by a pretty face. She stands a short distance off, smiles, then disappears in the throng moving around him. Someone steps on his foot, mutters an apology, and several other people jostle him. A pistol presses against his back.

In this short example the only characters able to affect John are nameless ones. The advantage of this is that the reader now does not feel the need to know these other characters. Instead they want to know how John is going to react to these nameless characters and the situation in general. The nameless characters have revealed a deeper level to the story and left the mind imagining what could be the motives and purposes of these nameless characters. All the while, John remains the focus.

Nameless characters add mystery and, when written well, they will enhance the traits of the main characters by causing them to react to different circumstances. While it is true that you can effect much of the same with named characters, nameless characters provide less distraction to the reader, thus allowing more focus on moments of suspense and interior dilemma.

A story is incomplete without nameless characters. In my novels I greatly enjoy creating background characters who are not assigned names. Why? Because later I can return to those characters, perhaps fleshing out their own unique stories for later projects. For example, when writing a series of fantasy novels a nameless character might be the bartender or the stable hand. Later in the series I can revisit the character, assign them a name, give them a more significant part in the series’ plot, and reference back to that moment in the story when they were nameless. To the reader it seems as if the author knew all of these facts about the nameless character all along. But truly it is often not the case.

The author might make reference to how the story’s hero/heroine glimpsed something happening to a common soldier during a battle. Then at a later point you reference back to that and make a new and insignificant background character come to life by relationally tying them to the original nameless character. Their deed then matters to the reader on an emotional level.

As you see, there are many uses for nameless characters in fiction.

Q: What sorts of nameless characters to you find interesting in fiction?

 

 

Dealing with creative slumps

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We creatives are strange creatures. We are writers and artists who live off of the ideas that populate in our brains. Let me stop beating around the bush. Tonight I am admitting I am having one of those moments… one of those days… one of those weeks.

My creative well has run dry. I smile as I think about it because I have been here before. It feels frustrating. I want to write some fantastic blog posts that will give you some great information and, hopefully, entertain you. Yet I stare at the screen and foolishly smile at myself.

I think we all hit these times. If we are writers, artists, or some other type of creative. Our brain works overtime when other people seem to relax. When I am thinking hard on a story idea, world-building, or publishing and writing in general, my hands literally get cold. I am not sure if this is the reason, but it seems to me my forehead always feels warm even when my hands are cold, as if my brain is firing too fast and all the blood runs to my head instead.

So what am I to do, and what should you do when you reach these moments? I have been in a creative slump for the past few weeks. This year I ran on burnout for too long and I think it simply caught up with me.

So what will I do?

I will relax. I will watch TV shows and a good science fiction movie, pick up a good book, listen to music. In short, I will refill my creative reservoir.

As far as keeping up with my blogging, I cannot let that fall behind… so I have written a blog post about my lack of creativity. 🙂 And you know what? It was fun! Sometimes the path to victory in these slumps is to admit you don’t have it so that you can fill your mind afresh.

Don’t think of these moments as defeat. Think of them as a time to reset, and recognize that you will come out stronger. Great art is not forced. It must be allowed to slowly grow.

Q: What do you do in creative slumps?

Breaking George Bailey this Christmas

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Every Thanksgiving I look forward to watching It’s A Wonderful Life. When I was growing up my parents knew how to throw a great Thanksgiving. They cooked a fantastic meal and invited a bunch of family over. My Dad would, at some point later in the day, flip through our limited selection of channels. Besides watching the parades, I remember him stopping when It’s A Wonderful Life came on. And I now try to make that movie a part of every Holiday season.

The tale of George Bailey is such a sad one. He has wonderful friends and he is endearing to almost everyone he meets. He is genuine, honest, and fair. Yet he lacks confidence in himself. He dreams big but always puts the dreams of others before his own, and in doing so he loses everything. By his generosity and fairness he makes friends with the poor and the sick. And when his uncle could go to jail for fraud, George takes the blame. Even at his lowest point he does the good thing, continuing his good deeds despite all expectations to the contrary.

The most beautiful thing about this story is that George does not broadcast his good deeds to everyone. He never “toots his own horn” but rather turns the spotlight onto those he has helped. I prefer to watch this movie in black and white as the absence of color is an artful way of emphasizing that the story is not about the lights and glitter, but rather about the hearts of people.

Why do I bring this up now? Yes, it is Thanksgiving and the Christmas season is practically upon us. But I have recognized within the fictional character of George Bailey the struggles of all honest, hard-working men who never get credit for what they have done. They do what is right because it is what they must do. It is the character they have established within themselves.

Contemporary fiction is filled with a lack of faith in the human spirit. Everyone is shown as liars, cheats, and backstabbers. But I am tired of that kind of story. I want more George Baileys. Characters of people who are broken, brought to the very end of their hope, yet still do the right thing by the people around them. This Christmas I want to revel in the spirit of good deeds and restore my faith in humanity.

We live in such a pessimistic world, yet there is so much good going on all around us. We need only look for it in others and in ourselves. I believe God has given us that ability.

I love how It’s a Wonderful Life demonstrates the true reward of doing right by people and doing good without expectation of reward. When it appears that George Bailey has nowhere to turn it is the poor, the sick, and his family that come to his aid. Kindness reciprocates kindness. We live in a world of great fear, but if we reach out with love we will see love return to us.

This Christmas let’s remember the real reasons this season is special. Let us leave behind the greed and the selfishness in favor of sharing Christian love with all people.

Q: Did It’s a Wonderful Life similarly impact you?

How characters with conviction drive story

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It would be impossible for me to recollect how many times I have heard people say to me, “All religions are really the same. So I don’t believe in any of them.” I think they thought it was impressive to say it, perhaps politically correct and socially accepted in our culture. Besides betraying a lack of knowledge or understanding of what divides religious groups, what they were really saying was, “I’ve given up on searching for absolute truth, so I am not accountable to any worldview.”

Interesting? Not really. It’s sad. Sad that an individual will fall into the trap of giving up on finding the basis for their convictions. Their ethics become based on feelings and emotions, as they are subject to no supreme authority. It brings to mind that verse in Revelation 3:16. It is pertinent to quote it here: “So then, because you are lukewarm, and neither cold nor hot, I will spew you out of my mouth.”

Conversely, I have encountered people of faiths that differ from mine who will tell me in no uncertain terms where they stand. People like that I can respect, even if our beliefs are polarizingly opposed. They know what they believe and why they believe it.

When writing fiction this is an important consideration. What kind of characters do you want to create? Do you want generic individuals so that you have to rely on the plot? Or would you rather have characters of conviction who stand firm on what they believe and why they believe it?

Looking at history demonstrates this repeatedly. If a simple monk had not stood against the Pope, we would never have heard of Martin Luther. If Hitler’s worldview had not been so polar-opposed to Stalin’s socialism, he may not have turned on Russia.

A story that is filled with characters of conviction leaves a lasting impact on the reader because the reader finds themselves rooting for some while condemning others. Characters with conviction can be praised or condemned for their choices and actions. Characters without conviction follow the whims of society and leave little lasting impact.

Conviction feeds growth. It makes people uncomfortable or inspires them, but it certainly leaves an impact on society. Characters of conviction drive story. We can root for them or watch them fall.

Storytelling is a powerful vehicle for exploring the best and the worst in humanity. But characters without conviction fade into the background. They neither angered nor thrilled us… Well, perhaps I am wrong in that. Sometimes they do anger us in the same way that those types do in real life.

Q: Do you recognize what convictions drive your favorite fiction characters?

Noah: the movie… Is this Noah or not?

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Noah, the movie. Have you watched it? I saw it for the first time because it popped up on Netflix. Disappointing would be an understatement of my feelings regarding this film. Warning: I’m going to discuss major spoilers because it’s necessary to the evaluation.

It seems that Hollywood took this opportunity to completely reimagine the historical story. I’m (almost) at a loss for words because this film was so bad.

It would be easier to imagine that this is not supposed to be the Biblical story but rather a straight up work of fiction. It is a poor story, over-dramatized, unbelievable, mystical, and bad character development. Here are some reasons I think this is the worst film I’ve seen in a long time:

  1. The fallen angels only fell to earth because they wanted to aid mankind. In punishment the Creator encrusts them in stone. What?! Yes, you heard right. Instead of going with the fact that there was war in heaven and God cast out the angels who joined with Lucifer, now the angels are the good guys who tenderly long to be re-admitted to paradise.
  2. Noah loves the creation and believes that God wants mankind wiped off the face of the earth. Whereas in the Biblical account God commanded them to go forth and multiply and replenish the Earth.
  3. There were seven who rode the ark… It was Noah, his wife, his three sons, one wife for one son, and of course (Hollywood’s favorite addition) a stowaway. It felt like an excuse to let Russell Crowe land punches in a death-match aboard the ark. Besides this, Ham actually found a girl but Noah purposefully leaves her behind to die. Oh, and he left Methuselah behind to die as well.
  4. Noah details for everyone aboard the ark how they are to make sure they die as the last of humanity, because the new world is not for them but for the creatures.

This is a terrible film. I was laughing at several points because it just carried everything so far overboard (pun intended). When a story is drafted from well-known source material it needs to come close to that material, otherwise it need not credit the source material. Noah has this problem to a degree I’ve not seen before.

The movie is also plumb full of plot holes. Here is a laughable example:

At the end of the film Noah is rather depressed (as he is throughout the entire film). His sons and wife have begun to build new homes for themselves. As they are building he picks grapes and makes himself wine. He gets himself drunk and naked in a cave. See the problem? They just got out of the ark and, in order to make wine, grapes have to ferment. Not gonna happen if you just crush them into a cup. That’s called grape juice and you can drink a lot of it without any problems. Trust me, I’m living proof!

My conclusion then: If you want to waste a couple of hours watching a heartless story with pointless drama that you can poke fun at, try Noah! It won’t disappoint you.

Question: Have you watched Noah?

How Star Wars impacted my thinking on stories

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I was probably around nine years old. I remember sitting in my grandfather’s living room, my eyes glued to his television. He had an extensive collection of VHS tapes and he was fond of science fiction. That day he played Star Wars: A New Hope… and with a few swings of his lightsaber Alec Guiness convinced me that Ben Kenobi was the coolest sort of hero.

Yep, I’ve been a fan ever since! I love looking back at that moment when I saw Star Wars for the first time. I can recapture that sense of amazement experienced only in that first moment of discovery. I already loved stories. I read extensively and wrote quite a few of my own fictional pieces, yet up to that point I think space opera and fantasy had not entered my realm of creative thinking. My first brush with anything close to it had been Pilgrim’s Progress, an allegory of the Christian life that feels fantasy-ish.

In Star Wars I recognized the value of different strong personalities in story. Han Solo of course would not let anything water down his swashbuckling attitude. He opposed everyone on his team and loved everyone at the same time. Ben Kenobi took every perilous encounter in sober stride, wisely weighing the consequences of his actions and of those around him. He was feeble yet in his eyes was a playful, indomitable will. He would not be denied. Even R2D2 and C3PO possessed unique personalities that made them generationally memorable.

To my young mind these characters were the catalyst for an amazing array of story possibilities. I remember staying up late at night telling my own Star Wars spinoff stories to my brother and sister. In childish fun these spinoffs often degenerated into silliness. (I remember one particular tale where Princess Leia met up with Emperor Palpatine and turned her own powers on him, thoroughly decimating him).

Looking back I realize that all of those silly spinoffs were the continued growth of my creativity.

Star Wars stories helped me realize that storytelling has no limits except those that we place upon it. What you imagine, you can create. What you fear, you can face. What you aspire to be, you can become. Strange places that don’t even exist, you can visit.

The imagination is limitless and its power is exploration to reveal to us the elements of story that matter to us. The elements of story that define the choices we make. The characters whose interactions help us understand how we want to interact with people in real life. The characters that help us understand why we find certain people more interesting than others.

Q: How did the stories you enjoyed as a child impact the person you are today?

 

How to preserve your story ideas

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It seems like I’ve been coming up with story ideas since I was a little kid, and I feel that it is true. Digging into my childhood memory box will reveal a small treasure trove of hand-drawn picture books I created for my siblings, as well as creature sketches, and lists of the numerous books I was reading. The box of story ideas began back then.

I remember working on a story about a mouse family. My brother drew pictures to go along with the story because he loved it so much. The concept was a family of mice in an abandoned house who get caught between warring factions of living toy soldiers. I still remember that story… Yet the material has been completely lost. The idea is there. Even some of the details stick in my memory, yet much of it will be a struggle for me to regain.

I wish I had had an idea file in a computer back then.

Nowadays those ideas are most often thrown into computer files. I like the security this affords. I can store the idea, then refer back to it at my leisure. The files have grown over the past twelve years. The idea behind them is that they are ideas that I do not have time to write, at this time, yet I intend to get to someday. There are new fantasy novels, science-fiction, mysteries, historical fiction, even a romance or two.

But I would be remiss if I did not mention my notebooks. Writing on paper has always given me my greatest story ideas. Much of the core material behind The Sword of the Dragon books was hand written. There’s nothing akin to sitting outside enjoying nature, the fresh air, with pad and pen in hand. No rush, simply enjoying the process. My preference has bounced between ruled paper and sketchbooks. Each offers a different feel that fuels creativity. Ruled paper allows me to feel more structured, especially for outlining ideas. Whereas sketchbooks feel like a clean slate I can fill with my tiny handwriting.

The writer’s imagination is always gathering ideas. It would be career suicide to throw those ideas out. Even if the raw idea is not ready for publication, its premise or an element of it may stick to create something memorable. A few times I have found I end up incorporating them into existing storylines. The Sword of the Dragon series has benefitted greatly from the use of ideas from these files.

Q: Do you have a system to file your story ideas?