How my Grandmother’s book keeps giving

Growing up I read lots of books. I loved a good story. The tales of King Arthur and his knights, of fairy tales, of Christian allegories… they fueled the fire for storytelling. I grew up in rural Connecticut where small towns and their tiny libraries were the norm, and it’s amazing the treasures that could be found on those old shelves.

As a writer you can mine treasures from old books. It is an unparalleled feeling to look through a long-forgotten volume that, to your knowledge at least, may be the only copy remaining to the world.

Those little old town libraries had great book sales. Often you could pick up a hardcover copy of exactly what you wanted for a dollar, or a paperback for fifty cents. But what I was always on the lookout for were the old volumes. Hardback volumes printed at the dawn of the 19th century, or in the 1800’s. I focused on historical books because their accounts were not burdened by the modern perceptions of the author. Little did I know that some of the greatest treasures could be found in short story collections and poetry.

Some years ago I was visiting my grandmother (my father’s mother) and I told her my vision for using my own publishing company to bring old, long-forgotten volumes back into print. She went and retrieved a couple of books for me and I’ll never forget how pleased I was to get a heavy volume titled The Children’s Book of Poetry. It was printed in 1879.
old book page excerpt
I’ve not finished this book… not by a long shot! It is not merely a collection of poetry, it is an arsenal of stories drenched in variety and, most importantly, morally constructive.

The value in this book is that I can read these old pieces, none of which are thus far familiar to me, and find fresh inspiration. Inspiration that will help feed my creativity for years to come. All thanks to my Grandma. She is the sweetest lady and I’ll always hold this book with fondness, knowing that she gave it to me. I’ve already gleaned some great ideas from these “lost” pieces.

You see? The value in an old book (from the writer’s perspective) is the content it offers. Not its value or interest as an antique.

Q: Do you have any old books from which you might glean inspiration for new content?

 

My intention with “The Phantom’s Blade”

I do not write stories simply to tell them. I do not look for the stories to merely entertain. I want them to have staying power and so they reflect the moments of my life. My next story explores the grim reality of loneliness and the hope of companionship. It shapes a future that is ever brighter because we must place our hope not in ourselves, but in the strength we find in doing good. Enter The Phantom’s Blade (The Sword of the Dragon book 4).

November 6th is the date! Finally it’s time to continue The Sword of the Dragon series and see what happens next with Ilfedo, Oganna, and Ombre.

I am so excited for this! It’s been a few years that I’ve been working on the material for this novel. The hardest part for me when writing Key of Living Fire was to leave a slew of newly-found characters in the underground city of Dresdyn. There are elements of the Hemmed Land’s history that have long hinted that they came from a land long lost. A history where technology was far in advance of what Ilfedo’s people currently understand as they exist in a near-medieval condition.

This book was written with sweat and tears… almost literally 😉 as I struggled to balance the many things going on in my life. Family, work, illness, moving to South Carolina, my fourth child being born, and now moving into our first house. It’s an exciting time as God has opened the doors so that now I can build a home business of writing, speaking, and editing. When your read my novels you are reading a reflection of what has happened and is happening in my life. My confusion, my revelations, my times of pain and of joy. The characters are put through much so that I can continue to evolve as a writer. So that my writing is not merely the telling of stories, but rather the sharing of visions striven for and attained.

Stories change hearts. Stories make a difference in our lives and in our culture.

So be sure to mark your calendar and warm a spot on your bookshelf for The Phantom’s Blade (The Sword of the Dragon book 4). Available on November 6th 2015.

Why print books are here to stay

Several years ago the success of digital books, mostly related to the wide reception of the Kindle reading device, spawned a big debate amongst readers, editors, authors, and publishers. The question: would digital books kill the sales of print books? At the time most experts agreed the print book had seen its day and the vast majority of readers would shift over to digital. Back then I was one of the few, at least on the web, who took the other position. Print books are here to stay.

Print books are here to stay. It is interesting to note that most of my peers in the publishing industry postulated that the death of print books would be, in large part, a generational thing. It was postulated that younger readers prefer their devices. They prefer their technology.

Truth is, I have traveled through many states and spoken with thousands of students. In public schools a decent portion of the readers did later purchase my books on their iPads and their Kindle readers. Yet still the vast majority purchased the print copy. Some readers bought both. In the homeschool crowd I found many readers like myself, and for the most part they preferred print copies. Print copies can be signed by the author and lifted to your face for that comforting book smell. Ah! Ink on paper.

My personal library contains books dating back to the mid-1800’s. Those books have been handled by people long dead. The scent of the people and of the world they lived in contributes to the book experience in a way digital books never can. Physical books have memory in their pages and in their cover.

I have nothing against digital books. They have been a marvelous medium through which to expand my readership and my own reading material. Also, I have read a fair number of books on my own iPad and have greatly enjoyed it. But they are not an artifact. Nor can they be. A print book can stand on a shelf as a discussion piece. A print book retains an element of each person that touched it.

The publishing industry should not have been so swift to judge print books as artifacts. They are here to stay. Most readers of my books are middle graders, high schoolers, and college students… and they prefer paperbacks.

Question: What advantage do you see with paperback books?

How to avoid cookie-cutter characters

Cookie-cutter characters kill fiction. Weak villains and weak heroes, characters that we can easily forget. How do we avoid this to strengthen the books we write?

Remember that childhood tale of the Gingerbread Man? Oh yes, he was cut out of cookie dough and ran away from the little old woman, shouting, “Run, run as fast as you can. You can’t catch me, I’m the gingerbread man!” He ran until he came to a river and there the sly fox fooled him and at the last ate him.

The story is simple by design, yet it gives readers and incredibly memorable impression of the gingerbread man. Why? Because in a short time you understand the gingerbread man’s primary traits. Namely, he is over-confident and brainless. He is so consumed by his desire to escape everyone that wants to eat him that he jumps into bed with the devil himself.

Create memorable characters by focusing on the traits that make them themselves. What makes them tick? What makes them different from their peers, or do they follow the crowd? What strengths can they use to rise above their circumstances… or what failings will we see bring them to a miserable end?

It was said of J.K. Rowling that she created 3rd dimensional characters in her Harry Potter series, and I quite agree. The characters had personality. They had depth. We could feel what they were feeling, or at the least understand the motivations behind their actions.

All great fiction stories are like this, even if they are plot-driven rather than character-driven. Weak characters will kill any good story. If you mold them in the image of known characters the readers will resent it, or at the least find it forgettable. But if you fashion a new individual with their own set of traits and deep-rooted motivations for the actions they take, you will create a story worth re-reading. One that one generation will treasure for the next.

Q: What stories have you felt use too many “cookie-cutter” characters?

Sneak preview! The Phantom’s Blade

First draft of The Phantom’s Blade is done! Coming this Fall 2015 this novel is the highly anticipated fourth installment in The Sword of the Dragon series. I am pleased to present this sneak peak at the novel, its opening chapter. Enjoy!

ThePhantom'sBlade coverThe Phantom’s Blade (The Sword of the Dragon series) book 4

Chapter 1: Despair beyond the Sea

Caritha gazed out over the inlet’s deep blue water to the sea beyond, and she sank to her knees on the sand. Despite the clear sky on this cool afternoon, the sea boiled around the splintered hull of the Maiden Voyage. Sea serpents raised their heads as the coils of their slimy dark bodies squeezed the ship and foamed the water. Somewhere beneath the waves sank the bodies of the captain and the crew. Bravely they had fought to ensure that the last Warrioress made it to dry ground.

Sweat had dripped from the captain’s thick nose as salt water sprayed his face. He had driven a pike into one serpent’s body, drawing its attention away from her. “Get to land, lass! The ship is lost,” he had said.

“No! My sisters and I can fight with you.” She had aimed her sword at another of the creatures as it twisted its length around the ship’s bow. The sword glowed dull orange, but no matter how hard she tried she could throw no energy from it.

“No!” She knew then, knew all too well that her gift to Ombre had cost her more than she had imagined it would.

The deck had buckled, throwing her against the rail. Water had rushed beneath decks and the captain had braced himself, his large feet wide apart. “Fight? You cannot fight in the water. This ship is going down. You have only minutes to make up your mind.”

Another serpent had leaped out of the sea, smashing its length over the prow of the Maiden Voyage, and Caritha had glanced at the monster. But the captain had somehow moved across the splintering deck and grabbed her in his thick arms.

“When this ship goes down the serpents will make short work of all of us, my lady. With God as my witness I’ll not let you die when I could have saved your life.” He had heaved her over the ship’s side. When she had floundered from under the water and her head had broken the surface, a serpent had swum under her kicking feet. But it had ignored her and rammed the wooden ship. “Get to shore while there’s time,” the captain had yelled at her.

She had felt tears stinging her eyes as she, with difficulty, sheathed her sword and swam toward an inlet surrounded by mountains of ice. Her last glimpse of the captain, he and a member of his crew were desperately clubbing a serpent’s body as it coiled around the main mast and snapped it.

Now, standing on that unknown shore with her sisters, she felt hope sink with the Maiden Voyage. Not only had they failed to find a land suitable for relocation, until now they had found no land at all, and now that they had . . . They had landed in a place of apparent desolation and the cold wind whispered down the slopes of the sharp peaks that glistened like diamonds in Yimshi’s light. They were cut off from civilization, far from home without means of returning. It had been a long sea voyage. She couldn’t even guess how far they were from home.

Laura stepped up beside her and laid a hand on her shoulder. Rose’el trailed Levena and Evela as they too joined her.

Rose’el growled as she grabbed fistfuls of her dress and wrung water out the material. Her eyes narrowed as she glanced over her shoulder at the frozen world of white. “I don’t care what’s in that sea. I am going to swim back across, find a little house in the Hemmed Land, force a nice gentleman to marry me, and then settle down until I am old and very, very gray.”

“Be serious for once, Rose’el.” Caritha turned toward the ice mountain that rose a couple hundred feet away from the water. She studied its jagged form, the smooth polish of its surface, and she dropped to the ground and punched the sand.

Laura knelt beside her and rubbed her back. “It will be all right, Caritha. Do not fear. Remember what Father said to Evela when we started our mission to find Kesla?”

Caritha remembered. She recollected the powerful white dragon turning his pink eyes on her and her sisters, as they faced the portal to the Eiderveis River. She had been merely seventeen years old at the time. “I will be watching over you even when you cannot see me,” he had said.

She shook Laura off and rose. “Don’t you see? Things are different now.”

“No they are not!” Laura said.

“Look around, my sister. Better yet, take a look at the sea and tell me if you see anyone alive. Where are the captain and the crew of the Maiden Voyage? Do their lives matter to you? And what of Ilfedo, Oganna, and Ombre? They are waiting for our return before they set out to find the dragon Venom-fier. We have failed and they have no way of knowing.”

Laura and Evela hung their heads. Levena sniffed.

“Feel glad that we are alive,” Caritha said and covered her face with her hands. “But weep that so many have died on our account.”

She withdrew her hands from her face. Why hadn’t she noticed before that the shore on which she stood and the mountains of ice . . . they were familiar somehow? White clouds rose over the ice mountains, sailing over the peaks and filling the sky. A frigid wind caressed her arms, threatening to turn her wet dress into ice.

The sandy ground trembled and the mountains of ice crackled, sounding like miniature releases of thunder. Something living warbled in the distance. Between the mountains before them a long-necked creature slid into view. As it drew closer, Caritha caught her breath, for the creature was enormous with four flippers for limbs. It was as white as Albino, with a bulbous blubbery body.

From the creature’s nostrils water shot forth and struck her. Her sisters fell back and rolled into the inlet. But she drew her sword and closed her eyes, with all her might focusing on deflecting the water. The sword fed off her dragon blood, splitting the water to either side of her. The creature kept up its deluge until Rose’el and Levena stumbled to Caritha’s side and joined their blades with hers. Blue energy blasted from the united blades, knifed through the water and struck the creature’s head.

The creature warbled as the water ceased to flow from its nostrils. It lumbered back a hundred feet and warbled toward the mountains. Suddenly the mountains filled with innumerable warbles and another of the creature’s kind slid into view. Only, when it approached, it loomed even larger than its companion.

Its head rose far above them and it smiled down upon them. Needle-like teeth ringed its enormous mouth. It dwarfed even the great albino himself.

“Daughters of the great white dragon, how foolish of you to come to my lands. Do you not know that all who come here are never heard from again? Not even your dragon father could save you from the fate you have brought upon yourselves, for he dares not touch me. I am Cromlin, king of the water skeels, and today your lives are at an end.”

His nostrils cast water upon them and, as they threw their swords up to block the deluge, beams of light shot from his eyes. The beams cut through their defenses, and struck them to the ground.

They ran toward him, swords aimed for his thick body. They reached him and stabbed. The blades sank up to their hilts, yet drew no blood. Cromlin gazed down upon them and warbled, while his companion did the same. The sound rang into the mountains, into their ears, and built its intensity.

Pressure built in her ears. Caritha saw first Evela and then Rose’el drop to the ground, putting their hands to the sides of their heads. Soon she, too, succumbed.

Cromlin lumbered toward the inlet and smashed his fore-flippers together. A wave of sound struck Caritha’s chest, forcing air out of her lungs.

Addressing them in a voice that rang around them and into the ice mountains, Cromlin said, “You have fought worthy of a Water Skeel.” He lowered his neck, bringing his head within ten feet of their heads. “But you are no match for me!”

Caritha felt exhausted. She tried to summon her dragon blood. It warmed, then cooled inside her. She glanced at her sisters, but their faces froze in terror and tears formed in their eyes. Cromlin pulled back his head and a stream of water from his nostrils slammed into Caritha’s chest. The impact threw her and her back crushed against a boulder. The water continued to storm upon her, unending and unyielding. Every bone in her body conformed to the stone against which she was pressed, painfully stretching and bruising her body.

Beside her, Rose’el was pressed into the sand beside Levena, unable to move from under the water’s force. On Caritha’s other side Laura and Evela raised their swords into Cromlin’s onslaught.

Painfully raising her own sword, Caritha touched her sword tip to theirs. “Join with me, my sisters!” A wall of energy formed between the swords, a wall that surged against the water and turned it away.

Cromlin laughed and bore down upon her. His gargantuan body slammed into the beach. He slapped a flipper atop Rose’el and Levena, and struck Caritha, Laura, and Evela with the other. She might as well have attacked a wall as defend against so large a flipper. It rammed her against the boulder, and then withdrew.

“Your puny powers cannot compare to the might I wield!” Cromlin slid to the inlet and dug his flippers into the water. Five large cubes of ice formed between his flippers and he effortlessly plucked them out and chucked them at Caritha and her sisters.

Caritha glanced to either side, but her sisters had been separated too far from her to intercede. As a cube shot toward her, time seemed to slow. She watched it somersault through the air and felt, as it were, ice darts precede the object. Stabbing pain peppered the front of her body. She could barely move.

Tears that she longed to cry refused to come as she struggled with her sword. At last she managed to sheath it. She reached with a trembling hand into her pocket and untied the precious ring that Ombre had given her, slipping it onto her finger. Her body temperature dropped and icicles formed on her hair, hanging in front of her face—she was freezing alive!

But with her last moment of consciousness, as the end embraced her, she laid her hand against her chest and looked down at the engagement ring. The diamond glistened as ice covered it. She should have said yes to Ombre a long time ago. Now it was too late. “But I do love you,” she whispered. “And if God had allowed me to see you again, I would have been fully yours.”

How to Create Memorable Villains

Most good stories that stand out in my mind as extremely memorable involve an extraordinary villain. One of my favorite films is The Black Hole, an old Disney science-fiction film. All of the characters in that movie are dramatic actors and the villain (as played by Maximilian Schell) is extremely memorable. He is a brilliant scientist and brooding. Every moment on screen he manages to drive deeper into your mind the threat he poses.

I remember when I was a kid sitting at my grandfather’s house and watching Star Wars: A New Hope for the first time (back then it was on VHS tape). The duel between Vader and Ben Kenobi fixated my attention like nothing else. I was intrigued. Who was this Vader? Why had he changed into a “master of evil” as Kenobi put it? These questions are the type that any good villain will raise in the mind of a book reader or a movie viewer.

Often a fiction writer focuses on finding ways to make the reader relate to the hero in the story. They show the character’s weaknesses and show how he/she overcame them in order to mature into the protagonist you’ll love. But too often the antagonist is a “cookie cutter villain.”

In the Harry Potter books Voldemort was glimpsed from his youth and shown as a ruthless man. In Tolkien’s The Silmarillion Melkor was revealed as being a corrupter of all good things… My point? There are many ways to approach villain creation as long as you take the time to develop that villain’s history.

When approaching the villains in my stories I try to remember that the characters’ histories will enable the reader to care about what happens to them. For example, when I wrote the opening for Swords of the Six I had to make the reader care about the villains so that they would want those villains to pay for their crimes, but I wanted the reader to be intrigued and ask questions as to why and how the villains had become the characters seen in the story.

It is imperative that you ask yourself:

  1. What kind of childhood did this villain have? An orphan, an only child, or one of many children. A happy home or a depressed one. All of these considerations make us care about the villain even if we are rooting for their destruction.
  2. Who mentored this villain, or whom do they look up to? Parents or the lack thereof and the mentors they look up to will shape the person you become. Understand how your villain thinks by understanding what mindset those around him have encouraged.
  3. What motivates them in their villainous deeds? Often the motivation is power, yet the quest for supremacy is not motivation enough. There is an ideology behind each villain and reasons that they have forsaken a moral code. Know what motivates them and you will understand how they can change through the story in their encounters with other characters.

In The Black Hole the villain is an insane but genius scientist. He is both indispensable to the protagonists and at the same time they cannot allow him to continue.

In writing a villain we need to understand the personality’s impact on the fictional world and also what drives that personality. Adding depth to the character enables greater risk and greater reward when said villain is defeated or converted. Creating memorable villains is hard, but oh so worth it! In Swords of the Six I had the opportunity to show several types of villains, each with different motives, and the result was a story that leaves me the writer eager to explore the villains in depth and be more creative in determining their demises.

Q: Which villains stand out to you and why? 

Cover reveal: Daniel and the Sun Sword

Introducing debut novels is a great pleasure when I know that the novelists share my passion for great fiction and for the Lord. Nathan Lumbatis hired me a couple years back to do an editorial review of his manuscript and he’s been working hard on it ever since! The story stood out to me for its uniqueness as it pits young protagonists against Peruvian ‘gods.’

Daniel and the Sun Sword CoverThirteen-year-old Daniel is about to be adopted. But when he learns his new family wants him as a slave, he runs away with the help of his new neighbors, the naïve and cowardly Ben, and Raylin, a mysterious girl with a shady past. He begins to second-guess his decision, however, when the cave they hide in transports them to the ruins of Machu Picchu, where they find themselves embroiled in a battle between ancient gods of Life and Death. To top things off, the God of Life draws Daniel into the fray by adopting him as his son and setting him on a quest to complete a broken, mystical sword, a task that will pit him against the god of the underworld.

Now, Daniel and his friends have just one weekend to find the shards before a hoard of supernatural enemies catch up. But that’s not all they face. A trap has been set that even Daniel wouldn’t expect, and he just took the bait. Will the power of his Heavenly Father be enough to save them?

Daniel and the Sun Sword will be published by Ellechor Media in JULY 2015.

Nathan Lumbatis

Nathan Lumbatis grew up in the woods of Alabama, where he spent his time exploring, hiking, and dreaming up stories. Now, as a child/adolescent therapist and author, he’s teaching kids and teens how to redeem their stories using Biblical principles. He counsels at Dothan Behavioral Medicine Clinic and is a member of First Presbyterian Church. He still lives in Alabama, where you will find him with his wife and three kids every chance he gets.

Be sure to check out Nathan Lumbatis on his Website!

Finishing The Phantom’s Blade (in the midst of my busy life)

For the past two years my readers have been asking, “When is the next book in The Sword of the Dragon series coming out?” This fourth installment is titled The Phantom’s Blade.

This writing project has been my most difficult yet. Why? Because I am juggling family, a full-time day job, and writing projects. This hasn’t been easy but at last I have found a “schedule” that is allowing me to get The Phantom’s Blade completed.

I work during the day, return home, and my kids are going to bed about 8 o’clock. Most nights I don’t get home until after 8 if not 9. I tried getting onto a morning schedule but so far without success. The challenge of that is that the kids can often get up in the middle of the night, so my level of energy and motivation in the morning varies greatly.

Up until I was seventeen I spent most nights stargazing with my telescopes (I’ve always loved astronomy). Often I stayed up until 3 or even 4 in the morning. The night hours have, ever since, remained my most productive time.

The Phantom’s Blade is passed 77,000-words now. I have been writing it late at night. Coffee has been the ticket to getting me passed midnight at which time my brain usually gets a second creative wind. The story has turned out really well. Many characters that readers of Swords of the Six, Offspring, and Key of Living Fire will recognize return for further development. I anticipate this book finishing at 90,000-words…

Expect The Phantom’s Blade to be available in paperback this Fall 2015.