How to avoid cookie-cutter characters

AuthorAppleton on August 3, 2015

Cookie-cutter characters kill fiction. Weak villains and weak heroes, characters that we can easily forget. How do we avoid this to strengthen the books we write?

Remember that childhood tale of the Gingerbread Man? Oh yes, he was cut out of cookie dough and ran away from the little old woman, shouting, “Run, run as fast as you can. You can’t catch me, I’m the gingerbread man!” He ran until he came to a river and there the sly fox fooled him and at the last ate him.

The story is simple by design, yet it gives readers and incredibly memorable impression of the gingerbread man. Why? Because in a short time you understand the gingerbread man’s primary traits. Namely, he is over-confident and brainless. He is so consumed by his desire to escape everyone that wants to eat him that he jumps into bed with the devil himself.

Create memorable characters by focusing on the traits that make them themselves. What makes them tick? What makes them different from their peers, or do they follow the crowd? What strengths can they use to rise above their circumstances… or what failings will we see bring them to a miserable end?

It was said of J.K. Rowling that she created 3rd dimensional characters in her Harry Potter series, and I quite agree. The characters had personality. They had depth. We could feel what they were feeling, or at the least understand the motivations behind their actions.

All great fiction stories are like this, even if they are plot-driven rather than character-driven. Weak characters will kill any good story. If you mold them in the image of known characters the readers will resent it, or at the least find it forgettable. But if you fashion a new individual with their own set of traits and deep-rooted motivations for the actions they take, you will create a story worth re-reading. One that one generation will treasure for the next.

Q: What stories have you felt use too many “cookie-cutter” characters?

Divinity and accountability in Fiction

AuthorAppleton on July 27, 2015

When writing I have often pondered the futility of leaving God out of the story. His presence, whether embodied or as a distant spirit-being, omnipresent and omniscient, is necessary even in fiction. Without an ultimate accountability characters lose their punch.

All stories need a level of good versus evil. Characters make choices between right and wrong. Humanism would have us believe that we do not need God to explain the choice between good and evil, whereas the standard of morality we know is completely dependant on Him.

Western society is founded on the moral system passed down by Judeo-Christian values. Without a Common Standard of morality society is left to the whims of its individual members. One person may say that stealing is wrong, but another may say it is not because they believe in survival of the fittest.

Why is sin always sin? Why believe in truth and falsehood? Because we do have a standard in the laws passed down by God through Moses and the prophets and Jesus Christ.

This is pivotal in writing. Literature needs to reflect that God is the same always, whether in the past or in the present or in the future. An eternal being whose standards are not dependant on our desires, whims, or failings.

Without that standard a story becomes dependent on the characters’ perspectives. But when that standard is used the story gains coherancy because all actions, whether good or bad, have consequences temporal . . . and eternal.

Freedom of choice does not mean your characters can escape the fact that they are created beings.

Question: How does accountablity to God factor in the fiction you read and write?

Cover reveal: Daniel and the Sun Sword

AuthorAppleton on May 30, 2015

Introducing debut novels is a great pleasure when I know that the novelists share my passion for great fiction and for the Lord. Nathan Lumbatis hired me a couple years back to do an editorial review of his manuscript and he’s been working hard on it ever since! The story stood out to me for its uniqueness as it pits young protagonists against Peruvian ‘gods.’

Daniel and the Sun Sword CoverThirteen-year-old Daniel is about to be adopted. But when he learns his new family wants him as a slave, he runs away with the help of his new neighbors, the naïve and cowardly Ben, and Raylin, a mysterious girl with a shady past. He begins to second-guess his decision, however, when the cave they hide in transports them to the ruins of Machu Picchu, where they find themselves embroiled in a battle between ancient gods of Life and Death. To top things off, the God of Life draws Daniel into the fray by adopting him as his son and setting him on a quest to complete a broken, mystical sword, a task that will pit him against the god of the underworld.

Now, Daniel and his friends have just one weekend to find the shards before a hoard of supernatural enemies catch up. But that’s not all they face. A trap has been set that even Daniel wouldn’t expect, and he just took the bait. Will the power of his Heavenly Father be enough to save them?

Daniel and the Sun Sword will be published by Ellechor Media in JULY 2015.

Nathan Lumbatis

Nathan Lumbatis grew up in the woods of Alabama, where he spent his time exploring, hiking, and dreaming up stories. Now, as a child/adolescent therapist and author, he’s teaching kids and teens how to redeem their stories using Biblical principles. He counsels at Dothan Behavioral Medicine Clinic and is a member of First Presbyterian Church. He still lives in Alabama, where you will find him with his wife and three kids every chance he gets.

Be sure to check out Nathan Lumbatis on his Website!

Cinderella: a true heroine

AuthorAppleton on April 6, 2015

My wife made the suggestion that she take our 3-year-old daughter to see Disney’s remake of Cinderella. Inevitably it ended up being a family trip. The local theatre in town has a Tuesday all-day special price that we’ve taken advantage of before. Coming into this film having already loved Maleficent, I was curious if Disney could succeed in turning another classic cartoon into a worthy live-action film.

Cinderella’s character is honorable in this story and, I think, extremely likeable as well. The supporting cast of actors and actresses filled their roles almost seamlessly. The one exception, I felt, was the fairy godmother. Same actress as the Queen of Hearts in Disney’s live-action Alice in Wonderland. Her personality was so strong that it jerked me out of the fairytale, albeit for only a few moments. Even then I can barely complain as she did play her part well.

So, did Disney succeed in reviving the old classic? I think they did. The overarching theme of love and forgiveness at all costs is a noble part of this story.

Disney seemed to steer away from incorporating non-traditional-family-values into the film. The only point I found a bit “preachy” was how Cinderella convinced the hunter to let the stag get away. All of the big film studios seem bent on convincing us that the life of man is of equal value to that of the beasts and creatures of this world. It is not.

God made the beasts for man, and sacrificed beasts for man. Yes, we need to value the lives of the creatures in this world. Life is a precious gift that is too often taken lightly. Perhaps this is Cinderella’s intent. Perhaps merely a reminder that we are so absorbed in ourselves that we devalue the creation around us.

Cinderella takes us to the heart of God’s love (though God is not mentioned in this story) by offering us a noble heroine who rises above the scum around her to be a truly good person. I think the greatest message behind this movie is that a great hero or heroine rises above their circumstances to do the right thing… no matter what the cost. We need more fiction exemplifying these values.

Question: What was your impression of Cinderella?

How to not let subplots run amok in fantasy fiction

AuthorAppleton on March 9, 2015

When writing a fantasy story much focus is given to world building and character development. This focus can greatly enrich the story world… though there is also a pitfall in it for those of us who write the story.

Characters come to life, landscapes take form, cultures are developed, costumes and customs are established. As you create a fantasy book or series you do not want to miss an opportunity to enhance the reader’s experience. This is a work of art. You want it to shine. All of this leads to an endless supply of subplots within the main story. It may be as simple as a secondary character who needs more personality in order to interact more realistically with the main characters in the story.

The wise writer files away an array of subplots. Histories of lands and biographical data on secondary and background characters, for example. But sometimes we get carried away by the ideas the subplots deliver and we let the story follow rabbit trails as we flesh out minor characters. Certainly there is validity in doing this when drafting fantasy novels, but it is imperative that we remember to focus the story on the main characters.

I was reminded of this recently while watching The Hobbit: The Battle of the Five Armies for the first time. Peter Jackson allowed the story to follow so many minor characters that, even though the movie had great moments, it lost its punch. Characters wept over fallen comrades, and I could not weep with them because I did not feel an affinity for their loss. I did not “know” their comrades well enough to miss them. If the movie had stuck to following a couple characters a more coherent story would have resulted and greater emotional attachment could have been achieved. Instead it followed a slew of characters and tried to make all of them equally important.

A subplot is fantastic for enriching a fantasy tale. If we are following our main character and they encounter a minor character, it benefits the story if that minor character is given a history. But where we must be careful is in not immersing ourselves in that minor character. The story must pull back to the main character so that the conflicts continue to be resolved in a coherent manner. A great example of this is in Harry Potter because J.K. Rowling always kept the story on Harry and varied from him only rarely to enhance certain plot elements.

Stay true to the main character. File away the majority of your subplots. Who knows? Maybe someday you will dig into those files and write an altogether separate novel to cover the subplot.

Question: What examples of good or bad use of subplots in fiction stand out to you?

Angels: You Cannot Trust All of Them

AuthorAppleton on December 15, 2014

Angels have gained a level of reverence in western society. A reverence that remains even when many people do not reverence God, and this reverence for angels extends into Fantasy fiction. Yet the truth is, when it comes to angels, you can NOT trust all of them.

Worldview is pivotal in fiction. Let’s first acknowledge that a majority of the world’s population agrees that angels do exist. The three major faiths worldwide are Christianity, Muslim, and Judaism. All three concur on the existence of angels and their involvement in the affairs of mankind. And they agree that these angels are ministering spirits who act as agents for the All Mighty. But have we forgotten that a third of the angels fell with Satan?

There are strong implications from this that should impact the way writers approach fantasy and are including angels. The word of an angel should not be taken as the word of God himself if it contradicts God. Also, the Devil is the great Deceiver and his Fallen are as full of guile as he. An interesting Biblical reference for considering this is 2 Corinthians 11:14

In my novel Key of Living Fire I used my worldview to shape the story of a deceiving angel. Disguised as an angel of light this being deceived the heroine, leading her nearly to her death. When dealing with angels I want to show the reader that not all that appears good really is good. Instead we must use discernment to find the truth.

Question: How do you view angels? How do you see them used in fiction?

Thanksgiving inspired fiction: What if?

AuthorAppleton on November 17, 2014

It’s amazing how historical events shape present-day culture. One example being Thanksgiving. Are writers taking full advantage of historical inspiration for fiction narratives?

The above picture is from the animated movie Free Birds. I felt it was appropriate because it was a humorous take on Thanksgiving. The turkeys hijack a time machine and travel back to the original Thanksgiving. Their goal? To take turkey off the menu!

This simple film had me thinking about the endless possibilities we have with fiction. There is a lot of lost opportunity here. What about fiction based around Christmas and even Easter? I love to ask the question “What if?” With these two words you reveal a universe of possibilities.

What historical narratives would you like to see fictionalized?

4 Reasons Why I think Nancy Drew and The Hardy Boys helped shape family fiction

AuthorAppleton on November 3, 2014

Were you one of those readers that got hooked on the Nancy Drew and Hardy Boys mystery series? It is important to understand what made those mysteries so accessible to us and here is why:

The Nancy Drew and Hardy Boy mystery stories drove home traditional family values with characters who were morally upstanding. (Quite the contrast to the majority of contemporary fiction.) Growing up I recognized that something about those series grabbed people in an extra powerful way. Interestingly, here are four areas where they differ from most contemporary fiction:

  1. Both series showed strong-willed characters who were passionate about helping people, including saving people in need.
  2. Nancy, Frank, and Joe treated their fathers with the greatest respect and had strong relationships with them.
  3. Nancy, Frank, and Joe chose friends who were responsible and motivated.
  4. They also LOVED to read and research.

We need more fiction like that. We need NEW fiction like that. Unfortunately the book industry leaders think they know better. I’ve been told that in order for young adult fiction to sell it needs to do much the opposite of these things. Specifically the adults must be inconvenient annoyances.

My response to this? What is the purpose of those books? As an author I want to motivate and inspire. But most publishers want to follow the trends. Well, I pray that God keeps some of us authors from doing that so that you, the reader, can be convicted, inspired, and motivated to uphold good family values.

Question: Do you think authors should cave to popular wisdom, or write the stories that encourage readers to stand for what is right?